At the end of the Greater East Asia War, young Amada Koichi and his father were wrongfully accused as spy suspects and his father died in prison after being tortured. Ten years later, Amada seeks for revenge on the three men responsible for his father death.

Japanese crime film.

The film marked Yōko Mihara's debut as the star of Shintoho's series of ama films, a role she took over from Michiko Maeda.

Ninkyo with Hideki Takahashi.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)

The 6th Super Giant film. Although he was believed to be destroyed by the Nazi-like army, Super Giant breaks into the satellite, and a long, riotous battle ensues. (Part 2 of 2)

Foreign terrorists threaten Japan with a nuclear attack.

Japanese mystery film.

Super criminals are planning to infiltrate Earth with mass nuclear destruction! Only Starman can defend civilization by thwarting evil!

1964 film by Teruo Ishii

1965 film by Teruo Ishii