A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

During the 2006 World Cup qualifying match between Iran and Bahrain, numerous young women are caught and rounded up for dressing as men so they could gain access to the game. Guarded by several soldiers in a holding pen, the women attempt to keep updated on the score.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Vahid, an Azerbaijani auto mechanic, was once imprisoned by Iranian authorities. During his sentence, he was interrogated blindfolded. One day, a man named Eghbal enters his workshop. His prosthetic leg creaks, and Vahid thinks he recognizes one of his former torturers.