Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.

In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a young woman fleeing from the authorities. Refusing to leave, she takes refuge in the house. But come dawn, another unexpected presence will change everything.

Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.

When a young girl's mother doesn't meet her after school, she tries to navigate the streets of Tehran by herself.

Vahid, an Azerbaijani auto mechanic, was once imprisoned by Iranian authorities. During his sentence, he was interrogated blindfolded. One day, a man named Eghbal enters his workshop. His prosthetic leg creaks, and Vahid thinks he recognizes one of his former torturers.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

During the 2006 World Cup qualifying match between Iran and Bahrain, numerous young women are caught and rounded up for dressing as men so they could gain access to the game. Guarded by several soldiers in a holding pen, the women attempt to keep updated on the score.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.