This is the Sixteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

This is the Twelfth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

The hoodlum group goes to a hot-spring resort town to earn money.

The hoodlum group tries to help a little printing factory against gangsters.

This is the sixth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

Tokyo hoodlums travel to Osaka and enter into rivalry with the local gangsters.

A story of rivalry between two gambling clans.

34th year of Meiji (1901). Japanese gangster Shuntaro Hibiki is forced to work for the police to find out who robbed a truck full of gold.

After the war, Kijima (Bunta Sugawara) returns to Tokyo where he meets Ôba (Noboru Andô), an Ex-Kamikaze pilot, and the two ruffians gather hooligans to join their group. In Ginza, the Togawa gang have taken over Sakurada's territory. After several fights Kijima and Ôba gain control of the territory by chasing out the notorious Togawa Group in the name of Sakurada. But Kijima is arrested for assaulting an American soldier. A few years pass. Kijima has served his prison term and the sears of war have been erased from Ginza. Ôba is now president of a company specializing in collection of bad debts, cheque frauds and everything that means money. People call their organization the “Private Police,” and Kijima begins to work for Ôba. Now the Takegami gang waits a chance to seize the Ginza territory.

The 11th and final film in the Gang series. Most of the films had different directors and cast, and were only connected by the title and Toei's marketing department. Unlike the early entries, which were jazzy capers, this final entry is a prototype jitsuroku yakuza film. Just back from the war, Noboru Ando leads a gang of war vets turned gangster in the US occupied streets of Tokyo. They get into a conflict with a Chinese gang as well as the military police. Tetsuro Tamba appears as a police chief trying to bring peace to the streets; 1st wave pinky violence star Masumi Tachibana is a girl grieving his dead gangster father.

The son of a prominent member of a fishing community returns home after a stint with the yakuza to find his father has died under orders of a local gang leader. He sets out to avenge his father, keeping his plans secret from his mother who is cold to him since his perceived abandonment of the family. This wonderful, if little-seen, Fukasaku gem deals with family, community and what it means to do right by both.

Just released on parole, one young man hurtles towards a face-off with the gangsters controlling Shinjuku and its lucrative prostitutes.

When the Shogun Tokugawa III is in bed with a girl, she turns into a monster. The court believes she is Ninja Magic, used to frighten the lord off women so that there will be no heir. Tôma, a famous swordsman, is called in and exposes the Ninja, even discovering their leader, a beautiful young girl named Kagiroi. Guessing that she is the daughter of some ousted daimyo anxious to get back into favor, he is about to unmask her when he is taken prisoner...

Matsukichi, a worker at a fish market, tries to settle the business between the two competitors on his turf.

A man aspires to be a big boss but falls in love with a beautiful woman boss.

The third film in the Kanto Street Peddlers series. Sugawara still plays the same Kanto street peddler, who this time ventures to Osaka where he defends a blind girl at a street market. The area is targeted by rotten yakuza (Asao Koike and Tatsuo Endo), who have lured local senior female boss (Nijiko Kiyokawa’s) rebellious but not entirely indecent son Goro Ibuki to their side.

This is the Fifteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

With her first love that unfolded in the battlefield in her heart, and with a short sword and a pillbox as her weapons, female gambler Okatsu the Tiger Lily travels from gambling site to gambling site. Surrounding her are Omon, an outlaw star blind lone gambler; Onaka, a thief who’s after Okatsu to avenge her father’s death; Ohide, a tattoo artist whose back is covered by a dragon tattoo; and Oryu, a young girl sold as a prostitute to a gambling family.

Many persons visit the hot springs resort to try out Reiko's famous vagina with quivering walls, "the sensation of worms wiggling about"... that won her her nickname (Mimizu = earthworm).

When both a priceless jewel and the daughter of a rich heiress are stolen by a master criminal, Koga and his gang are hired to retrieve both. But a double-cross leads to a risky high-security bank heist and loads of martial arts mayhem.