Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband Torvald. Now she is being blackmailed, and lives in fear of her husband finding out, and of the shame such a revelation would bring to his career. But, when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem.

Charlie Muffin, top British Intelligence operative, has just broken up a major Soviet spy network in England. However, a new Director with new ideas takes over and wants Charlie out. But then a high-ranking Soviet spy-master hints that he wants to defect, and both British Intelligence and the CIA want him and will do anything to get him. Charlie may be the only man who can bring the defection off successfully, but is the whole thing an elaborate set-up? And when your so-called allies are stabbing each other and you in the back to get this prize, whom can Charlie trust on either side?

The working-class Smiths change their initially sunny views on World War I after the five boys of the family witness the harsh reality of trench warfare.

Phillipe, the son of an ambassador in London, hero-worships his father's butler Baines. His perception of the man changes when he accidentally discovers the secret that Baines keeps and witnesses the consequences that adults' lies can cause.

An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.

Jim Wormold is an expatriate Englishman living in pre-revolutionary Havana with his teenage daughter Milly. He owns a vacuum cleaner shop but isn’t very successful so he accepts an offer from Hawthorne of the British Secret Service to recruit a network of agents in Cuba.

An ordinary man, while vigorously asserting the impossibility of miracles, suddenly discovers that he can perform them.

It is pouring with rain at one minute to midnight on Friday the thirteenth, and the driver of a London bus is peering through his blurred windscreen as his vehicle sails down an empty road. Suddenly, lightning strikes, and a vast crane above topples into the path of the oncoming bus... Then Big Ben begins to wind backwards. Time recedes. And we discover the lives of all the passengers and the events that brought them to that late-night bus journey, from the con-man with a hundred-pound cheque to the businessman's distraught and elderly wife. Time flows on, inevitably, to the crash -- and past it, as some live and some die.

In the hazy aftermath of World War III, the fallout from a 'nuclear misunderstanding' is producing strange mutations amongst the survivors, and the noble Lord Fortnum finds himself transforming into a bed sitting room.

British Egyptologist, Professor Morlant, seeks immortality through the power of a jewel buried in the tomb of an Oriental idol. Upon his death, Morlant returns to earth to seek vengeance upon those who removed the jewel from his grave.

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).

A demented widow lures unsuspecting children into her mansion in a bizarre "Hansel and Gretel" twist.

A sorcerer and his apprentice are on a mission to kill an evil dragon to save the King’s daughter from being sacrificed according to a pact that the King himself made with the dragon to protect his kingdom.

Over the course of one foggy day in August 1912, a retired Irish theater actor grapples with the morphine addiction of his unbalanced wife, debauchery of his older son, and sickness of the youngest son as past guilts, repressed anger, and deep-seated regrets slowly come boiling out, threatening to destroy the family.

Dramatizes the Birth, Life, Ministry, Crucifixion, and Resurrection of Jesus Christ, largely according to the Holy Bible's New Testament Gospels.

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

In a corporate-controlled future, an ultra-violent sport known as Rollerball represents the world, and one of its powerful athletes is out to defy those who want him out of the game.

费弗森将军因儿子哈瑞，幼年只喜好诗词，怕有辱家族声誉，托好友苏顿大夫照应。
将军死后，哈瑞要求解除军职，因英埃联军将对苏丹用兵，被同伴视为懦夫，寄白羽毛羞辱他，但英军对苏丹用兵并不顺利，哈瑞赴埃及要求医生改容为当地土著，潜入前线，起原军团被回民打败，同伴非殉职即被俘入狱，哈瑞救好友杜伦斯上尉回英国阵地而被捕，旋即逃狱到哈土木营救同伴，英军终来到哈土木，哈瑞策动监狱暴动，控制一边城墙，英军收复哈土木，哈瑞成为大英雄。

When the warren belonging to a community of rabbits is threatened, a brave group led by Fiver, Bigwig, Blackberry and Hazel leave their homeland in a search of a safe new haven.

The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.