Tatsumi, a young doctor who works at Teito University Hospital, will be witnessing the operation of Black Jack, who does not have a doctor's license. Osamu Tezuka's comic of the same name was made into a series with an original video.

Ethnically Korean Japanese filmmaker Yoichi Sai directs this madcap crime comedy. Nakayama (Goro Kishitani) is a suave police detective who doesn't play by the rules. He busts a drug ring, but not before sampling a few of the wares, and he closes down an underaged prostitution ring after enjoying the company of a school girl hooker. One of duties is to shake down sniveling Korean gangster Hideyoshi (Ren Osugi) for information. In spite of their positions on opposite sides of the law, the two discover that they share a fair amount in common. A disregard for the law and the love of a comely prostitute from China named Momo-chan (Makoto Togashi). Though Hideyoshi is running an illegal alien smuggling ring with her and has lusted for her from a far for quite a while, Nakayama manages to bed her first. When she does finally appear in Hideyoshi's bed, she's unfortunately a corpse.

A stylish light comedy about the “Banana boys”— two boys who were born and raised in Roppongi who are still growing up. It is based on the light novel of the same name written by Takashi Kitajima

A droll and formalistic comic drama about the various relationships among, and odd obsessions of, the residents of a Tokyo apartment block.

After being stricken with Alzheimer's disease in the prime of his life, a successful young businessman slips slowly away from his loving family.

Kaido is a professional pickpocket who works the Tokyo subway with his young foster-daughter, Rei: She lets herself be groped while Kaido relieves the groper of his wallet. More often than not they're observed by a middle-aged cop, who generally lets Kaido go free. Rei is unsettled when Kaido takes on a young street punk, Kazuki, as an apprentice -- with instructions to make Kaido stop drinking. Kazuki, however, would like to go into business with Rei.

Commencing well-respected Nippon director Kazuo Kuroki's sixth decade behind the camera, "A Boy's Summer in 1945" (literally "A Beautiful Summer in Kirishima") is a lyric, novelistic drama set in the countryside in the last days before Japan's surrender ending WWII. Striking a welcome retro note in its languid pacing and delicate handling of seriocomic ensemble threads, handsome production is a natural for fests. It might also prove a cornerstone for retrospectives or ancillary releases of works by a helmer ("Preparation of the Festival," "Ronin-gai") who's long been appreciated at home but has won just limited attention abroad.

The lakeside at Lake Yamanaka is covered with snow. In the vacation house in such a quiet area owned by the chairman of Watsuji Seiyaku, one of the leading pharmaceutical companies in Japan, the tragedy suddenly breaks out. ”I have killed my granduncle!!” says Mako, who is loved by everybody in the Watsuji family. She has stabbed her granduncle, Yohei, to death. Soon after the domestic homicide, the entire family joining together in an attempt to make it look like a crime committed by somebody outside the family, begins to engage in imitative deception...

Shunsuke, a coach who hangs out at the gambling track, is in jeopardy at the bicycle race track. The place is saved by a "scammer", and he himself will hone his skill in scamming, which skillfully raises a lot of money.

This is the continuation and final part of Double Face SP, the Japanese remake of the highly successful 2002 Hong Kong film, Infernal Affairs. This special focuses on Police Inspector Takayama Ryosuke (Kagawa Teruyuki) who had been secretly supplying police information to the organized crime group, the Oda-gumi. Once a young street thug, Takayama was taken under the wing of Oda Hironari (Kohinata Fumiyo), the leader of Oda-gumi. Dressed, fed, and educated, Takayama was instructed to become a police officer and work as a mole for the group. Now, he is tasked to get close to Suenaga Mari (Aoi Yu), a daughter of an influential politician.

Two men, a detective and a gang member, infiltrate each other's organization. Soon they find their fates intertwined.

Following a tip, Manabu Yazaki loses his last money betting on the older "banba" horse "Unryu" (jockied by Makie, a legendary jockey's daughter) in a draft-horse race held in his childhood home of Obihiro on the island of Hokkaido.

Edogawa Rampo is a writer whose latest work is censored by the government, deemed too disturbing and injurious to the public to be allowed to be published. However, after burning his drafts, his publisher shows him a newspaper with an account of events just like his forbidden story. As the film progresses, fantasy and reality intermingle in a tale that draws heavily on influences from Poe and Stoker's Dracula. The film's strongly Expressionistic direction skillfully combines a variety of media (animation, computer-generated imagery, grainy black-and-white fast film stock, color negatives) for artistic effect.

Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past...

Lone wolf detective with an enormous personal grievance seeks to connect the mysterious death of his daughter to an urban legend of a villain who terrorizes Japan by insinuating himself into people's dreams and the collective psyche of the Japanese people.

When there's a transfer flight delay, a put-upon ground staff worker at a small town airport has to deal with a family that has plenty of problems of their own. Shot in a single take, "Airport" focuses on familial and romantic relationships and the secrets that often hold them together.

A psychologically thrilling portrait of the severe dysfunction behind a family clinging to decorum and pride.

Minako (Yuko Tanaka), begins her day running up and down the hills of her hometown delivering milk door to door. When that's done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (Ittoku Kishibe), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children's affairs section of the local municipal office. Though he insists that he wants nothing more than an "ordinary" existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.

One of the true classic's of anime's much-loved robot genre.