A mysterious tale set around a traditional British family on the eve of World War Two. Oblivious to the looming shadow of World War II, the wealthy Keyes maintain a confident façade in the British countryside until daughter Anne becomes an unexpected pawn. Her accidental discovery of secret recordings creates a rift in the family.

Stephen Poliakoff's parody of the spy-thriller genre. A Russian diplomat becomes convinced that he is at the centre of a Foreign Office plot.

The life of Prince John, youngest child of Britain's King George V and Queen Mary, who died at the age of 13 in 1919.

A US property developer realises that he has a battle on his hands when he tries to renovate a London building containing a vast photographic collection and discovers that the library employees will resort to anything to thwart him.

Bill Nighy and Miranda Richardson star in a story of grief and celebrity, set in the intense spring and summer of New Labour's election victory and Diana's death. Nighy is a PR guru who has to stop and re-evaluate his world when his daughter threatens to leave his life, perhaps as revenge for his serial infidelities. Richardson plays a mother trying to bury her grief in an unconventional way after the loss of her young son.

When his young daughter disappears, her father refuses to accept that she is dead and sets out on a journey to find her.

After some years of tension, Richard (Clive Owen) begins a sexual relationship with his sister Natalie (Saskia Reeves). Now married, the relationship proves dangerously obsessional. Their private intensity (& working class origins) contrast with the middle-class, inhibited, stuffy public scenes we see in the Richmond world into which Natalie has moved with her marriage. As the guilt and intensity of the siblings increases we seem to be heading for disaster, a forboding which increases when Natalie's husband Sinclair finds out.