“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

Tokyo at night. It has another face, different from the daytime. Gorgeous neon lights and dressed-up women decorate the city at night. And then, there are men who live off of these women. This movie depicts the conflict of sex and desire between a procurer, called a "night arranger," and women who live in the neon city seeking money and pleasure.

A Toho film featuring the comedy duo Konto 55, (コント55号), comprised of comedians Kinichi Hagimoto and Jiro Sakagami.

This is the thirteenth film in the series.

In Hong Kong an International Secret Police (ISP) Agent is murdered while investigating ZZZ, a group bent on assassinating the Prime Minister of Buddhabal. ISP Agents Carter and Kitami are assigned to the case. When the Prime Minister arrives in Tokyo for a friendship visit, Carter and Kitami are on hand to protect him. On hand, too, are assorted ZZZ blackguards. Several attempts on the Prime Minister's life fail, until finally the ZZZ introduces a new device designed to eliminate not only the Prime Minister but the ISP Agents as well: THE KILLING BOTTLE, then, is a pocket-sized container filled with a substance that can expand to thousands of times its size and throttle its victim, then disappear leaving only the corpse.