A gas is let loose upon the world that kills anyone over 25 years old.

A farce satirizing extraterrestrial horror movies such as Alien. Alternate titles include "The Creature Wasn't Nice" and "Naked Space" (1999 re-release trying to capitalize on Nielsen's "Naked Gun" success).

The heir to a bankrupt studio decides to make a daring musical to avoid demolition, agreeing to finish it in two weeks or lose ownership.

Accused murderer Frankie Steele walks free, thanks to the efforts of San Francisco defense lawyer Joe Ricco. Then a pair of cop killings strikes the city. All signs point to the newly released Steele as the perpetrator. Has Ricco sprung a killer? Dean Martin keeps his affable ease but abandons his hipster Matt Helm-series swagger to portray Ricco in his final leading-role film, a whodunit mystery set in the city that also was the gritty center of action for the era’s Bullitt and Dirty Harry. Convinced that Steele isn’t behind the murders, Ricco launches an inquiry and runs up against a police lieutenant assigned to birddog him, evidence planted by a racist cop and several assassination attempts on Ricco himself. As the mystery deepens, so does the danger. And behind it all is someone the attorney never suspected. The pre-Laverne & Shirley Cindy Williams plays Ricco’s office assistant.

A twisted ex-convict moves into his mother's boardinghouse.

A technician brings a frozen specimen of the original Blob back from the North Pole. When his wife accidentally defrosts the thing, it terrorizes the populace-- the local hippies, cops, drunks and bowlers must all face the Blob!

Sheldon Bart (Fred Ward) is a drifter, and a small-time con man. He meets his old friend, Brother Bud (Harry Dean Stanton), a big-time con man into faith healing and fencing stolen cars, at his revival tent outside a small town. While he's helping Brother Bud, he falls in love with Arlene (Cindy Williams), a local supermarket clerk who believes in UFOs and is deeply religious and deeply lonely. When Arlene has a vision of a coming UFO, everyone deals with it in their own way.

A close-knit group of orphans and their father-figure, Max, try to keep their home from being shut down. Helping them out are a single mom and the elderly butler from Max's aunt's mansion, where Max grew up.

A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.