A down on his luck former drug dealer is forced by a corrupt LAPD policeman to sell 100 kilos of confiscated marijuana in one weekend.

Though very polite and British, this feature-length documentary about German filmmaker Wim Wenders offers the most penetrating insights and the best overall critique of his work that I have encountered anywhere. Paul Joyce, who directed it, has also made documentaries about Nicolas Roeg, David Cronenberg, Nagisa Oshima, and Dennis Hopper, and he knows the conventional format well enough to get the most out of it. There are good clips and interesting commentaries from the interviewed subjects, who include Wenders himself, cinematographer Robby Muller, filmmaker Sam Fuller, novelist Patricia Highsmith, musician Ry Cooder, actors Harry Dean Stanton, Peter Falk, and Hanns Zischler, and critic Kraft Wetzel, who is especially provocative. A must-see for Wenders fans, highly recommended for everyone else. –Jonathan Rosenbaum, 1989

A young drifter returns to his home in Key West, Florida and attempts to open a fishing charter business, provoking a dangerous feud with a rival fishing sea captain.

Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.

The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton. The plot centers on a young boy who becomes a hostage after he is accidentally closed inside a moving van.

In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.

Sheldon Bart (Fred Ward) is a drifter, and a small-time con man. He meets his old friend, Brother Bud (Harry Dean Stanton), a big-time con man into faith healing and fencing stolen cars, at his revival tent outside a small town. While he's helping Brother Bud, he falls in love with Arlene (Cindy Williams), a local supermarket clerk who believes in UFOs and is deeply religious and deeply lonely. When Arlene has a vision of a coming UFO, everyone deals with it in their own way.

The Care Bears team up with a troubled brother and sister who just moved to a new town to help a neglected young magician's apprentice whose evil spell book causes sinister things to happen.

Johnny Truelove likes to see himself as tough. He's the son of an underworld figure and a drug dealer. Johnny also likes to get tough when things don't go his way. When Jake Mazursky fails to pay up for Johnny, things get worse for the Mazursky family, as Johnny and his 'gang' kidnap Jake's 15 year old brother and hold him hostage.

It is the dawn of World War III. In mid-western America, a group of teenagers band together to defend their town—and their country—from invading Soviet forces.

Director John Dullaghan’s biographical documentary about infamous poet Charles Bukowski, Bukowski: Born Into This, is as much a touching portrait of the author as it is an exposé of his sordid lifestyle. Interspersed between ample vintage footage of Bukowski’s poetry readings are interviews with the poet’s fans including such legendary figures such as Lawrence Ferlinghetti, Joyce Fante (wife of John), Bono, and Harry Dean Stanton. Filmed in grainy black and white by Bukowski’s friend, Taylor Hackford, due to lack of funding, the old films edited into this movie paint Bukowski’s life of boozing and brawling romantically, securing Bukowski’s legendary status.

New Orleans, 1981. Sonny Phillips, just discharged from the Army, returns home. The only life he's known is as a gigolo, working for his mother, but he wants to leave that behind. However, the job his Army buddy promised doesn't materialize, and he can't escape his past.

Jan Schlickmann is a cynical lawyer who goes out to 'get rid of' a case, only to find out it is potentially worth millions. The case becomes his obsession, to the extent that he is willing to give up everything—including his career and his clients' goals—in order to continue the case against all odds.

Ray Owens is sheriff of the quiet US border town of Sommerton Junction after leaving the LAPD following a bungled operation. Following his escape from the FBI, a notorious drug baron, his gang, and a hostage are heading toward Sommerton Junction where the police are preparing to make a last stand to intercept them before they cross the border. Owens is reluctant to become involved but ultimately joins in with the law enforcement efforts.

Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.

The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.

The lives of several people spanning from 1936 to 1993 are chronicled during their overnight stay at a New York City hotel room.

When vigilante land baron David Braxton hangs one of the best friends of cattle rustler Tom Logan, Logan's gang decides to get even by purchasing a small farm next to Braxton's ranch. From there the rustlers begin stealing horses, using the farm as a front for their operation. Determined to stop the thefts at any cost, Braxton retains the services of eccentric sharpshooter Robert E. Lee Clayton, who begins ruthlessly taking down Logan's gang.

Tilman and Lanton Mills, two cowboys who set off on horseback to rob a bank. On the way, they stop to see their boss, the "Old Man", only to discover he has been murdered by another cowboy, John Sparks.

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.