A first-hand account of the Tokyo Metropolitan Police beat following Jake Adelstein, an American journalist who embeds himself into the Tokyo Vice police squad to reveal corruption. Based on Jake Adelstein’s non-fiction book of the same name.

Three unlikely thieves break into a mansion looking for the cash they believe its owner is hiding, only to encounter unexpected complications.

Using massive piloted robots to combat the alien threat, earth's survivors take the fight to the invading alien force lurking in the depths of the Pacific Ocean. Nearly defenseless in the face of the relentless enemy, the forces of mankind have no choice but to turn to two unlikely heroes who now stand as earth's final hope against the mounting apocalypse.

Nao Kanzaki, a student, was blackmailed into joining a "Liar Game" and ended up losing 100 million yen. In order to repay the debt, she enlists the help of Shin'ichi Akiyama, a genius swindler who was only recently released from jail for bankrupting one of Japan's largest scam companies.

Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.

Frustrated with her mundane life, a Tokyo office worker becomes obsessed with a fictional movie that she mistakes for a documentary. Fixating on a scene where stolen cash is buried in North Dakota, she travels to America to find it.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Seemingly perfect from the outside, Shinkai Akira was exhausted from worrying too much about how to be perfect. Nemoto Kousei is amicable and popular with women, but he trusts no one and views everything with a cold heart. The two of them, who became unable to live instinctively like animals, meet by chance at a craft beer bar after work and gradually become close enough to fight and tell each other how they really feel. Due to their encounter, even while getting hurt, they begin to try to be themselves and start taking a step forward.

An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair's portly Caucasian brother.

Settle into your chair and be transported to a place both familiar and alien; where a giant shop-girl can barely fit in her store, there's a weird green pod in every bedroom, and terrifying wood nymphs provide a heartbroken woman with the anatomically correct fruit everyone seems to covet. In the end we are left, like Alice, with the Red King's conundrum: are we dreaming them or are they dreaming us?

Kai — an outcast — joins Oishi, the leader of 47 outcast samurai. Together they seek vengeance upon the treacherous overlord who killed their master and banished their kind. To restore honour to their homeland, the warriors embark upon a quest that challenges them with a series of trials that would destroy ordinary warriors.

A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

A samurai Sakunosuke gets an order from clan chamberlain to kill another samurai who is married with his own younger sister. As a loyal samurai he has to accept the mission even though he has inner conflicts.

Hoping to catch a girl's attention, high school students Ken and Adama cook up an ambitious plan. They plan a festival that combines film, theater, and rock music, and develop their project into a school road block. This plan however catches the attention of television stations and newspapers, and soon even the cops became involved in this teenage adventure.

Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.

Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.

Set in an apartment building where many people are rumored to disappear one after another, the story begins when Maruko, a young delivery worker, accidentally discovers the secret of a suspicious resident. He and his older colleague Arakawa, who is an aspiring novelist, try to discover the resident's true identity. But in the end, the two got into an unexpected big incident.

Private detective Mike takes on an assignment to return a girl, who is set to marry into a prestigious family, from a mysterious commune in the forest.

Haunted by lies and unable to trust anyone, Omori Mitsuko faces a Christmas Eve that turns a struggling izakaya into the center of unexpected chaos.

A Japanese assassin falls in love with the Spanish wine seller she was hired to kill.