Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.

在前往移民星球的旅途中，契约号的主要船员和他们的仿生人沃尔特在休眠前，享用了他们的最后一餐。契约号船员纷纷聚集起来，有小插曲，有拌嘴，但更多的是面对未知世界的希望。
该短片为《异形：契约》的开场序曲，全卡司集体亮相。

A New York girl sets her father up with a beautiful woman in a shaky marriage while her half sister gets engaged.

Four everyday suburban guys come together as an excuse to escape their humdrum lives one night a week. But when they accidentally discover that their town has become overrun with aliens posing as ordinary suburbanites, they have no choice but to save their neighborhood – and the world – from total extermination.

The journey of Jean Holloway – a therapist who begins to develop dangerous and intimate relationships with the people in her patients' lives.

In The Morning Show season three, the future of the network is thrown into question and loyalties are pushed to the brink when a tech titan takes an interest in UBA. Unexpected alliances form, private truths are weaponized, and everyone is forced to confront their core values both in and out of the newsroom. Along with Witherspoon and Aniston, the star-studded season three ensemble cast is led by Billy Crudup, Mark Duplass, Nestor Carbonell, Karen Pittman, Greta Lee, Jon Hamm, Nicole Beharie, and Julianna Margulies.

Two brothers, on either side of the law, face off over organized crime in Brooklyn during the 1970s.

Follows a group of traveling salesmen hawking lunar timeshares.

In a retro-futuristic world, charismatic salesman Jack Billings leads a team of fellow sales associates determined to revitalize their customers' lives by hawking timeshares on the moon.

让我们揭开帷幕，聚焦每晨陪伴大众迎接新一天的新闻主播，走近早间新闻节目的台前幕后！
剧集由詹妮弗·安妮斯顿、瑞茜·威瑟斯彭和史蒂夫·卡瑞尔领衔主演，以大胆直接的拍摄手法透视当代职场百态。

In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.

A congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).

Mary and Ben are the star-crossed black sheep of two powerful families engaged in a centuries-long feud. When the pair reignite a romance after many years apart, their forbidden love draws a motley assortment of schemers and killers into their orbit, and as fists and bullets fly, it becomes clear that violent delights will have violent ends.

Famous movie actor Jay Kelly embarks on a journey of self-discovery, confronting both his past and present, accompanied by his devoted manager, Ron.

An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.