Half-way through his 12-year prison sentence for an incompetent armed robbery, Jimmy Hands gets a lucky break: he's transferred to a prison from which he can probably escape. He convinces the governor to stage a musical in an old chapel next to the prison's outer wall. He rounds up volunteer actors and puts his escape plan into production. Two other barriers, besides the wall, confront him: the arrival of a nasty inmate, John Toombes, who insists on joining the escape, and Jimmy's feelings of attraction for Anabel, a social worker who agrees to appear in the play. Opening night approaches: is this Jimmy's breakout performance?

Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.

Dowd, an IRA prisoner in the H-blocks, is gloomily facing his sentence, until he joins a comrade in a risky escape. Dowd begins a new life in New York, but he might as well be in prison again - until he strikes up a friendship with co-worker Tulio and gets to know his close group of Guatemalan exiles.

Power is up for grabs as the Harrigans and Stevensons, two warring London crime families, clash in a kill-or-be-killed battle that threatens to topple empires and ruin lives. Caught in the crossfire is Harry Da Souza, the street-smart 'fixer' as dangerous as he is handsome, who knows too well where loyalties lie when opposing forces collide. As kingdom goes up against kingdom, lines will be crossed — and the only saving grace is a bet-your-life guarantee: family above everything.