A one-hour documentary on the making of Frank Zappa's bizarre 1971 comic musical. Vintage private footage from Frank's personal archives plus behind-the-scenes of the actual shooting and recording. With Ringo Starr, Theodore Bikel, Keith Moon and such songs as "Sleeping in a Jar," and "Strictly Genteel." The inside history of the first feature-length film to be shot on video in 6 days.

Frank Zappa and his band in a digitally recorded live performance at "The Pier" in New York, NY on August 26, 1984.

Several pieces of Frank Zappa's music are set against clay animation by Bruce Bickford.

A Frank Zappa show goes way beyond a mere concert – it is an experience…a flight of improvisation, musicianship, and cerebral cynicism. An unparalleled Composer and Guitarist, Zappa redefined rock n roll paradigms by introducing into the mix his favorite influences from classical music, jazz, blues, Doo-wop, traditional and non-traditional music. And he did so with unparalleled humor and audacity. But it was the music itself that influenced generations of musicians and, quite frankly, blew minds. Roxy: The Movie, filmed over three nights in December 1973, at the Roxy Theatre in Hollywood, CA, is a powerful display of this experience, and reveals what made him such a pioneering musical revolutionary.

The film had particular trouble finding a distributor. Frank Zappa tried to interest Untied Artists, the company that released 200 Motels (1971). Fearing that they were about to be embroiled in the Heaven's Gate (1980) fiasco, they turned him down. Other studios followed in United Artists' footsteps, fearing that Zappa's trademark cinematic style had lost considerable appeal in post-'70s pop culture. Several European distributors told Zappa that there might be interest if it were cut from its original 168-minute running time. The film was cut to 90 minutes and still there were no takers. Even after Bruce Bickford's sequences won first prize at a French animated film competition, there was no interest. Eventually Zappa took it upon himself to distribute the film independently via his own Intercontinental Absurdities production company. The film ran 24 hours a day at the Victoria Theater in New York City and made a handsome profit.