In turn-of-the-century Paris, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a rich neighbour. In retaliation, Georges steals the fiancé's family jewels, and enjoys the experience so much that he embarks upon a lifetime of burglary.

Eddie Constantine stars as a reporter mixed up in the spy world in this routine espionage actioner by first-time director Pierre Grasset. After taking some illicit photos for a new story he is working on, Eddie (Constantine) is coerced into doing a job for the French Secret Service. There is a mole in the French missile sites who is passing on classified information, and Eddie is enlisted as bait to draw the culprit -- or culprits -- out. Along the way, he finds himself running for his life, fighting, and romancing until the final denouement.

Fred works for an insurance company as a computer engineer. He is bored with enduring the trials of his shrewish wife, so, after using actuarial tables to calculate the most common means of death, he cleverly prepares the family bathroom and brings about her demise. For a while he is content with his new freedom, but then he recognizes that a friend is in a similar situation.

Inspector Lavardin is called to a provincial village to investigate a murder – only to find that one of his ex-lovers is the victim’s widow.

Retrato de la alta sociedad francesa. Leda, el ligue del señor Marcoux, es asesinada. Su familia prefiere dejar que la policía inculpe a un inocente, que no pertenece al círculo familiar, pero el prometido de la hija de Marcoux no está de acuerdo.

Cuatro jóvenes y atractivas mujeres de París que trabajan juntas en una tienda intentan escapar de la monotonía de sus vidas embarcándose en una aventura de romances por la capital francesa durante un fin de semana.

A journey in the company of Bernadette Lafont, French Cinema’s most atypical actress. Tracing her career from pin-up girl, to New Wave model of sexual freedom, to drug-dealing granny in the film Paulette, by way of La Fiancée du Pirate and Les Stances à Sophie, this film pays tribute to her extraordinary life and artistic odyssey. Her grand-daughters, Anna, Juliette and Solène, revisit the dreams of Bernadette, in the family home in the Cevennes region where they, like her, grew up. Her close friends, Bulle Ogier and Jean-Pierre Kalfon, reminisce on their artistic and human complicity. Throughout the film, Bernadette Lafont in person, with her inimitable character actress voice, re-evokes a life in cinema marked with insolence, courage and freedom.

A criminal shows up at a farmhouse with the law on his heels and several million dollars in his possession.

While on vacation, a woman's husband is taken by the Russian government. After one attempt fails, she begins looking for a suitable spy to capture and trade in exchange for her husband, but she develops an attraction to the one she thinks is a good candidate.

1984 film by Just Jaeckin

An attorney defends a young man on trial for killing his aunt — a psychiatrist who took him in to study possible homicidal tendencies.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

1970 film by Henry Chapier

1969 film by Diourka Medveczky

1967 film by Diourka Medveczky

In Paris in the early 1960s, Ronald is a son of a good family, with a carefree, pleasure-oriented life. He is one of the leading figures in the small world of Saint-Germain-des-Prés. Following a trivial parking incident, he meets Arthur, a young man with a straight face who hurts his pride. It is at this moment that Ambroisine, a beautiful young woman, appears... she will be the instrument of Ronald's revenge.

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.

A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.

A man witnesses a suicide and starts imagining that it was a murder committed by himself.

Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...