During a night when Mei Liang and his girlfriend, Sima Qiu-Hong are on the same stage during a play for the Dajiang Theater Company, they receive a visit from Qiu-Hong's former classmate, Xie Yu-Lan. Under Yu-Lan's insistence, Mei Liang decides to break up with Qiu-Hong.

The son of the town bully lusts after a local beauty in this action-filled thriller of the passions and violence to be found in a fishing village.

Spy thriller set in occupied Shanghai. Li Lihua stars as the woman who is thrust into the role of nationalist freedom fighter when she discovers that her husband is a collaborator with the Japanese.

Jenny Wu is a singer who charms the well-to-do Peter Chen, but his parents object to a union between their only son and a lowly cabaret singer. He ignores their advice and marries her anyway, and for a time, they find some manner of wedded bliss. But the years are not entirely kind. He works hard to make ends meet, but his health pays the price.

Some 40 years ago when warlords rode rough-shod over the Chinese people, circus acrobat Pao Te-cheng took to the hills and began robbing the rich to help the poor. His daring feats earned him the nickname of “The Masked Robber”. Trying to intercept a large sum of money to be turned over to public security chief Cheng Kuan-hsi, he is nearly caught. Partner Hsiao Chung is jubilant over his safe return. But in the government office, chief detective Ma Pu-yun frantically plots his arrest. Ma Chien-li, son of the chief detective, devises a clever trap set for Ma Pu-yun’s birthday party. Among the guests is Huang Tan-ping who is engaged to Doctor David Lee. Ma Chien-li proposes to her without knowing this.

The Weiss Advertising Co under manageress Lo Yu Chun (Pat Ting Hung) and the Jen An Advertising Co. managed by playboy Tsao Chung Nien (Peter Chen Ho) are business rivals. The former works hard but without much success. The latter, with most of his staff perusing racing form or yellow journals, gets far more business. The anticipated arrival of a business tycoon from Malaya starts another battle and Lo Yu Chun goes all out to win over the prospective customer.

Two broke and incompetent best friends try to find employment, lodging, and love in Hong Kong.

A sensitive love triangle helmed by one of Shaw era's top directors, Chin Chien. A psychiatrist taking a room at an old friend's apartment soon discovers an insane woman living in a neighboring flat. As the doctor gradually heals the woman he also falls in love with her. The problem arises the friend's daughter confesses her love to him as well. Misunderstanding and mistaken passions soon lead to broken hearts and an emotional confrontation to the love triangle.

Julie Yeh Feng stars as Hsiu Hsiu, a beautiful singing shepherdess who falls head over heels in love with a handsome boatman named Liu Ta Lung. Unfortunately, she can't afford to marry her new beau because her father has racked up numerous debts due to his uncontrollable gambling addiction. And to make matters even more complicated, there's a rival suitor who promises to pay off all of her no-good father's debts on the condition that he is given Hsiu Hsiu's hand in marriage. She initially declines his offer, but starts to get jealous when she sees Ta Lung getting a little too close for comfort with another woman. In retaliation, she starts flirting with her possible benefactor/husband-to-be. But what Hsiu Hsiu doesn't know is that her jealousy isn't based on any actual unfaithfulness, but on an unfortunate misunderstanding!

Under false pretenses, Zhenzhen marries Mr. Lin, who happens to be her teacher. She wants to still study and wants to enroll in his school in Hong Kong. The head of the school agrees to this under the condition that they conceal the fact that they are married. Zhenzhen finds out right away that her husband is fawned over by the girls, they all have a crush on him, as also does the spinster librarian. However, Mr. Lin finds that that the boys in the school (they are late teens, 17 or so) really like Zhenzhen. This leads to hurt feelings, questions about fidelity and even, in Zhenzhen's case, innocuous dates with one of the boys who rides a motorcycle.

Director Chu Yuan was one of the new breed of directors at Shaw who raised the bar of martial arts films, by adding compelling storylines and a good dose of drama. Despite being without his regular cohorts Ku Lung and Ti Lung here, Chu shows his master stroke as he delves into the dastardly ways of evil warlords in China back in the 1910’s. Drama and action both take centre-stage as Tsung Hua and Ching Li fall prey to a lecherous general (Stanley Feng Tsui-fan) who rapes and forces the latter to become his concubine. With the help of two street performers (the deft and agile Chen Kuan-tai and Shih Szu) he once helped, Tsung hatches a plot to save his beloved – with deadly consequences.

Shaw production

This is about the trials and tribulations of a man who keeps a mistress at the side while his jealous wife, hires a lowly employee, to spy on her husband's activities.

Li Ching plays one of three daughters, whose life is turned upside down when she discovers she is adopted. But things get even worse when she goes in search of her real mother. Finally, after almost a double tragedy, she realizes what so many knew all along: There's no place like home.

THE KING WITH MY FACE (1967) offers a well-produced Shaw Bros. variation on Alexandre Dumas' famous tale, "The Man in the Iron Mask."

In 1966, like in The Love Eterne, Ling Bo took up the male lead in Forever and Ever, despite Shaw Brothers' earlier plan of having her as the female lead. Facing opposition from fans, they finally arranged for her to star as a male student named Xiaowen. Wicked rich man Liu, portrayed by Lo Wei, the director of this film, wants Xiaowen to marry his daughter (Lin Yu) who is suffering from leprosy, thinking that marriage will take away her disease. Although Xiaowen discovers Liu's plan, he is still in love with her and hopes that a miracle will cure her disease...

The story of a self-disciplined singing girl who has different love endings and experiences.

shaw production

With her elegant classic persona, Li Li-hua was the ideal performer for period aristocratic and imperial roles. The Goddess Of Mercy is a good example of her strong empathy and noble presence. The youngest daughter of a brutal king, the princess openly disapproves of the floggings and cruel treatment her royal family heaps on the peasants. As a result, the heartless king turns on his own daughter forcing her into exile.

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.