In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.

村松友視の「時代屋の女房」は１９８２年上期の第８７回直木賞を受賞しています。前年には、つかこうへいの「蒲田行進曲」が受賞しており、なにか８０年代の時代を感じる本です。ストーリー自体は東京都品川区の大井町駅に近い大井三つ又交差点にある古道具屋が舞台になっています。映画は｢時代屋｣という骨董店を営む渡瀬恒彦が演じる「安さん」と、夏目雅子が演じる｢時代屋の女房、真弓」が、俗に言う「涙と笑いのストーリー」を演じており、それに加えて津川雅彦が女たらしの喫茶店マスターをやっていて、なかなかいい演技をしています（この三人が絡み合っていて、なかなかいいですね！）。映像も少し都心から離れた、寂れつつある大井町の町並みをよく表現していると思います。

A car going at 25 mph plunges into the sea at Shinko Harbour, Toyama prefecture. Inside is the local business magnate Fukutaro Shirakawa, who perishes. Riding alongside him and surviving unhurt is his second wife, Kumako. It soon comes to light that Kumako’s husband was insured for 300 million yen and she is arrested on suspicion of murdering her husband for the insurance money. The newspapers denounce her as an evil woman, while the public is in no doubt about Kumako’s crime. Ritsuko Sahara is chosen as her defence attorney but the pair clash over almost everything...

A detective goes out of his way to crack the case of a serial killer who specialises in murdering police officers.

林彻住的公寓里突然搬进来了一个女孩子，她穿着讲究，名义上是自由职业者，实际上是名叫鲁比的一名快盗。林彻很快认识了她，并成为她的搭档，帮她犯罪。他们先是用巧妙的手法从林父亲经营的食品店里偷了营业流水账上的钱，使食品店出现了赤字。进而又决定策划一次偷袭银行的计划。但林彻在送威胁信的时候，把信和买东西的清单搞混了，致使计划失败。紧接着出现了多次计划任务的失败。林彻很喜欢鲁比，但鲁比有情人。鲁比把情人的名字给林彻，让他去要回约情人打架的信。林彻想也没想就接受了这个任务。但他运气不佳，被警察逮捕了。好心肠的警官释放了林彻。鲁比亲热地迎回了他。并对由于自己的任性给他找了麻烦，而表示歉意。这回，轮到林彻教鲁比如何犯罪了。

In a fight between two giant monsters named Takkong and Zazahn, young race car driver Hideki Go is killed while trying to rescue a little boy and a dog from the falling rubble. His valiant sacrifice is noted by everyone, even his friends and the new defense force MAT, but an unseen being also takes notice. Looking over Go is the "New Ultraman", who is so touched by Go's actions that he decides to combine his life force with that of Hideki, thus bringing him back to life. Hideki Go then joins the MAT and fights alongside them and Ultraman against monsters and alien invaders.

Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.

Two men and a woman plan to steal 1.5 Billion yen.

Hayato's home city is under attack from a gigantic robot. His parents are lying dead in the rubble and the only remaining friend is his dog. His only thought now is revenge against the owner of the Phantom Ship (from where the robot said he was sent). He ends up in the house of Kuroshio, the leader of the fight against the Phantom Ship and the most important person in the city. By complete accident, Hayato finds his way to an underground passageway where he realises that the true nature of events does not mesh with what Kuroshio has told him. His life is now in great danger, and only he can stop the plans of the evildoers.