A seemingly ordinary British couple become the focus of an extraordinary investigation when two dead bodies are discovered in the back garden of a house in Nottingham.

Gird your loins for the tragic tale of Lady Jane Grey, the young Tudor noblewoman who was Queen of England for nine days and then beheaded, back in good ol’ 1553. Actually... f*ck that. We’re retelling history the way it should have happened: the damsel in distress saves herself. This is an epic tale of true love and high adventure set in an alt-universe of action, history, fantasy, comedy, romance, and rompy-pompy. Buckle up.

Eccentric British painter J.M.W. Turner lives his last 25 years with gusto and secretly becomes involved with a seaside landlady, while his faithful housekeeper bears an unrequited love for him.

A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.

入围2020年柏林戏剧节十大关注剧目之一，时长约120分钟。
“My mother always said to Live Big.
Live as much as I could.”
Three generations of women.
For each, the chaos of what has come before brings with it a painful legacy.
“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”
Writer Alice Birch (Revolt. She said. Revolt again, We Want You To Watch), continues her collaboration with director Katie Mitchell (2071, Ten Billion, Cleansed) following Ophelias Zimmer last year.
Anatomy of a Suicide is part of the Royal Court’s Jerwood New Playwrights programme, supported by Jerwood Charitable Foundation.
The Big Idea: writer Alice Birch and director Katie Mitchell will be in conversation post-show on Tuesday 13 June. Free with a ticket to that evening’s performance.
Dialogue Club
Thu 29 June, 8pm (free but ticketed)
Dialogue Club works like a book group: see the show in your own time, then come and discuss what you thought with other audience members over drinks. Hosted by theatre-writer Maddy Costa and producer Jake Orr (founder and artistic director of A Younger Theatre).
★ ★ ★ ★ ★
‘Birch has crafted a rich, haunting, technically dazzling script’
Andrzej Lukowski | Time Out
★ ★ ★ ★ ★
‘Most productions require one viewing. Katie Mitchell’s staging of Alice Birch’s spellbinding and serious new drama is worth three.’
Maxie Szalwinska | The Sunday Times
★ ★ ★ ★
‘Hattie Morahan brilliantly vanishes... Adelle Leonce gives a beautifully judged performance... Kate O’Flynn is remarkable.’
Susannah Clapp | The Observer Read full review
★ ★ ★ ★
'This is a precise, cleverly staged and powerful drama supported by superb acting’
Ann Treneman | The Times
★ ★ ★ ★
'A sophisticated tapestry of generations and emotions'
Fiona Mountford | Evening Standard

After breaking up, Bridget Jones' happily-ever-after hasn't quite gone according to plan. Fortysomething and single again, she decides to focus on her job and surround herself with old friends and new. For once, Bridget has everything completely under control. Then her love life takes a turn when she meets Jack. A week later, she runs into Mark before she finds herself pregnant, but with one hitch - she's not sure of the identity of her baby's father - Mark or Jack.

Meet the Lewises: your average, everyday Manchester family who belong to an ultra-religious order. Oh, and they reckon the world's going to end in the next 10 years.

The mayor of a New England town resolves to turn it into the next tourist hot spot, despite local warnings that it's cursed.