Safely from behind some shrubbery, Johnny Hume, a boy of 6 or 7, witnesses the slaughter of his mother, father and brother by the guns of a gang led by "the Cat". Twenty years later finds Johnny grown to manhood, an expert bronc rider and target shooter - but paralyzed with fearful memories in an actual gunfight. This is brought home to him when some outlaws stick up the local saloon and Johnny ends up cowering behind the bar.

A cowboy heads for the town where his father was murdered to find out who was responsible.

A gunfighter takes the identity of a murdered judge in order to avenge his death.

Billy, after shooting down land baron William Donovan's henchmen for killing Billy's boss, is hunted down and captured by his friend, Sheriff Pat Garrett. He escapes and is on his way to Mexico when Garrett, recapturing him, must decide whether to bring him in or to let him go.

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."

A lawman sets out to disrupt the operations of a crooked town boss.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

West of Carson City remains one of the best of Johnny Mack Brown's Universal westerns. The story takes place in a gold-rush community where the locals are taken to the cleaners by duplicitious Eastern gamblers. When it becomes obvious that the local constabulary has been "bought off" by the crooks, two-fisted cattleman Jim Bannister (Brown) swings into action. The film's highlight is an outsized fistic brawl between the hero and secondary villain Breed, played by loose-limbed comic stuntman Frank Mitchell.

Nightclub entertainer Ruby Carter moves from St. Louis to New Orleans to escape Tiger Kid. At Ace Lamont's club, she gains fame but faces drama with Ace's ex Molly. A jewel theft and fixed fight lead to confrontations.