A lesbian teacher (Kanako Kishi) comes to Tokyo in search of her student (Ichiko Kamata), who has dropped out of high school and started living with a bomb-making terrorist (Takeshi Ito).

Sex Machine tells of the affable but simple Hiroshi, who during one sweltering summer in a small, parochial town, moves in with his girlfriend, Haruka. Their lovemaking is as athletic as it is bizarre but a dark storm comes looming when Haruka's ex boyfriend comes knocking at the door.

Schoolgirls on the verge of adulthood know that boys can be feckless and girls treacherous. Three friends gather around a Ouija board to call forth the spirit of Kokkuri. Masami has a boyfriend, Akira; Hiroko, who is nervous about the séance, wonders if she should take the plunge into sex; Mio is haunted by her mother's suicide. She also has a secret life as the voice of a midnight talk show host, the sexually-charged Midori. Mio must explore her past and her new feelings. Can she hold off the power and predictions of Kokkuri to enter adulthood, or will the destructive and romantic side of teen spirit be too powerful?

Mamoru Miyamoto is a book editor and his friend Masao Muraoka is a writer. Muraoka hasn't released a novel since "Aki no Riyuu." Masao has suffered from mental health issues and, because of this, his voice fails. The two men talk through written notes. It seems Mamoru believes in Masao’s talent as a writer and waits for him to write a new novel, but he also likes Masao's wife Misaki. One day, Miku, who has read Masao’s last novel “Aki no Riyuu” several times, appears in front of him. She tells him that she is so similar to the heroine of the novel and can understand his mind.

A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.

This gender-swapped take on the horrific murder case of Junko Furuta shows how Jun Furuta's father tracks down the juveniles who murdered his son to find out why his son had to die and to exact his revenge.

A black clad woman murders a man that she had just met by chance through a phone sex club.

Two inquisitive young women discover a lone pirate radio DJ operating from a van. Broadcasting unofficial thoughts and opinions, the show gets increasingly complicated when the system of illicit broadcasting changes hands and takes on a covert voyeur angle. Descriptions of strangers' fetish-laden sex described over the radio take a turn after happening upon (and engaging directly with) a serial killer, and a curious exploration of motives then ensues.

Reporter Nukada’s next big assignment is the secret world of Japanese phone sex clubs. Midori, a part-time employee at the Banana Club, and Kihara, a client with perverted tastes, are his first targets.

Special female detective Hanyu Asuka, codenamed 348 (Sashiba), receives a secret mission from the police commissioner to solve the blackmail case involving a genius Famicom designer. As Asuka continues her investigation, she discovers that Hayami, a gangster, is the culprit. However, after a gunfight, Hayami escapes, and a few days later, policewomen are killed one after another, as if in retaliation for Asuka...

Subaru is investigating the death of of a enemy, Kaneyama but before he died, he undertook a project, which was how to teach seven teenage girls how to use black magic to get revenge on people they don't like, but when one of the girls feels remorse, she is told by the other girls to continue with the black magic. Subaru tries to stop them but the girls think that he is their enemy and put a curse on him.

In the slums of Osaka, various marginalized misfits have their own interpretations of love. Completely alienated from the outside world, they commit sexual perversions, violence and cannibalism.