Based on the murder of nine street peddlers in the aftermath of the Great Kanto earthquake.

Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three songs for the festival's rock concert—including a classic '80s song by the Japanese punk rock band The Blue Hearts called "Linda Linda".

In 2002 (Heisei 14), public relations officer Mikami Yoshinobu of D Prefectural Police, is having an intense confrontation with the correspondents’ club, over the issue of the anonymity of a perpetrator in a traffic accident that caused serious injuries. Meanwhile, the public relations office is informed by the top brass that the Tokyo Metropolitan Police Department commissioner’s visit to the home of the family of the victim in “64”, an important unsolved case with its statute of limitation about to run out, has been decided one week later. The case which the police refer to internally as “64” is the kidnapping and murder of Shoko-chan which took place in just seven days in January 1989 (Showa 64). It was the worst in D Prefectural Police’s history. Mikami is under strict orders to obtain the family’s consent as well as to give the reporters’ questions beforehand. The visit is meant to emphasise the police’s resolve to put all effort into solving the case. However, the victim’s father, Amemiya Yoshio, rejects the commissioner’s visit and the correspondents’ club refuses to cooperate for the commissioner’s press conference. Mikami is torn between the top brass, which operates on organisational principles, and the correspondents’ club. The club denounces the complete change in Mikami’s attitude which had been open until then. In fact, Mikami has a big problem at home. His only daughter, Ayumi, has been missing since several months ago…

Teenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.

Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.

After the Akizuku clan fall in defeat to rival clan Yamana, Princess Yuki and General Rokurota take cover in a hidden fortress, along with their clan and gold treasury. Fortuitously stumbling into the hideaways, brash young miner Takezo and his bumbling sidekick Shinhachi hatch a daring plan to help transport the gold out of enemy terrain – in exchange for a share of the stash, of course. With assassins hot in pursuit, Yuki disguises as a male and ventures into the real world with Rukurota and her peasant companions, getting her first taste of danger, toil, and budding romance with the strong-minded and willful Takezo.

A team of swindlers gets wind of prime real estate worth 10 billion yen and will stop at nothing to pull off their most ambitious scam yet.

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.

Amachan is the 88th 2013 NHK asadora written by Kankuro Kudo (Tiger and Dragon, Unobore Deka). It's about Amano Aki (Nounen Rena), a 16 year old girl from Tokyo who goes to her mother's former home in Sodegahama, a fishing village in Kitasanriku, Iwate prefecture for the summer break. She falls in love with the sea and its people, and decides to stay on to become an Ama (women divers who fetch clams and sea urchins for tourists) just like her grandmother, Natsu (Miyamoto Nobuko). Her decision is welcomed wholeheartedly by Natsu and the other locals. However, her mother Haruko (Koizumi Kyoko) does not like the idea at first. She has a strained relationship with Natsu, and her extreme dislike of the sea, diving and the countryside is one of the reasons why she left her hometown 24 years ago. Eventually, she decides to stay in Sodegahama with Aki, considering that she is contemplating on getting a divorce anyway and does not want to go back to her husband in Tokyo. She also notices that it might be good for Aki for she seems livelier and happier in Kitasanriku than in Tokyo. The road towards becoming a full-fledged Ama-san is tough for Aki as she encounters tests and hurdles. One day, a video of her as an Ama gets uploaded in the city's tourism website, transforming an ordinary high school girl into an overnight Internet sensation. Suddenly she is called upon to use this opportunity to attract tourists to a city suffering from depopulation.

Five loosely connected storylines concerning the secrets and lies, the fears and tears, and the puerile potty jokes that punctuate the characters' daily (and in one eerie case, nightly) encounters.

Kenichi Asakura is an uptight, hyper-square salesman. One day, three bank robbers commandeer his van. They are in hot pursuit of their fellow robber who has snatched the money. Unfortunately for the bank robbers, Asakura never drives over 40 km/h speed limit even under the extreme situation.

A record company office worker named Kanna discovers a punk rock band called Shonen Meriken Sakku 'Brass Knuckle Boys' through the internet and subsequently decides to represent them on behalf of her company. What Kanna did not know was that the Brass Knuckle Boys consists of all middle aged men.

The secret warriors of feudal Japan were the ninja. Sent on impossible missions, the ninja were trained to work in shadows, gather information and defeat the enemy to build a world of peace. Akakage, Aokage, and Asuka are rookie ninjas under the tutelage of Shirokage. Their life is a series of perilous missions that entail intrigue, deception and intimidation.

A fishing boat is attacked at sea by a gigantic, hairy monster. After examining the sole survivor (Kanji Tsuda), scientific adviser Dr Murakami (Shiro Sano) suspects the culprit is a “Keukegen spectre”, a shaggy supernatural beast from Japanese folklore. The announcement leads reporter Hideo Akihara (Ken Osawa) to a forest shrine dedicated to the Keukegen Geharha, where he finds several worshipers and learns that an ancient seal containing the monster has been broken.

When young protege Akira Kageyama is bitten by his dying vampire boss, Genyo Kamiura, he must get used to his new powers before seeking revenge.

A warrior-in-training and his bumbling friends go in pursuit of a stolen sword.

Follows the rise of Tooru Muranishi, one of Japan's most notorious directors of adult video. Adapted from a biography of the man, this series depicts the character, his art, vision and his interactions with the approving and disapproving folk around him.

Five years after the all-out war between the Sanno and Hanabishi crime families, former yakuza boss Otomo works in South Korea for Mr. Chang, a noted fixer. When tensions rise between Chang and the Hanabishi, and Chang's life is endangered, Otomo returns to Japan to settle things once and for all.

Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.

When a massive, gilled monster emerges from the deep and tears through the city, the government scrambles to save its citizens. A rag-tag team of volunteers cuts through a web of red tape to uncover the monster's weakness and its mysterious ties to a foreign superpower. But time is not on their side - the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.