Ethnically Korean Japanese filmmaker Yoichi Sai directs this madcap crime comedy. Nakayama (Goro Kishitani) is a suave police detective who doesn't play by the rules. He busts a drug ring, but not before sampling a few of the wares, and he closes down an underaged prostitution ring after enjoying the company of a school girl hooker. One of duties is to shake down sniveling Korean gangster Hideyoshi (Ren Osugi) for information. In spite of their positions on opposite sides of the law, the two discover that they share a fair amount in common. A disregard for the law and the love of a comely prostitute from China named Momo-chan (Makoto Togashi). Though Hideyoshi is running an illegal alien smuggling ring with her and has lusted for her from a far for quite a while, Nakayama manages to bed her first. When she does finally appear in Hideyoshi's bed, she's unfortunately a corpse.

The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.

Men and women caught up in a downward spiral of corruption, discrimination, poverty and death are the focus of this detective-thriller/social-drama inspired by the unsolved 1984 kidnapping of a Japanese candy company president.

A gang of thieves plot to rob a US military base in Okinawa, but rising tensions in the group threaten to put the plan in jeopardy.

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.