Stan and Ollie work in a horn factory. Ollie starts having violent fits every time he hears a horn. His doctor prescribes a restful sea voyage. Mayhem ensues.

Laurel and Hardy are convicts making an escape from prison.

After a night of carousing, a rich oil tycoon awakes to find that he was married the night before. He calls in his lawyer to straighten things out.

Dimwitted Cuthbert Hope is enlisted in the army, and gets himself and his sergeant in constant trouble.

Titus Tillsbury is a successful businessman who is visited by a blackmailing old flame. He enlists a friend to keep her away from his home and wife.

Fleeing a group of forest rangers, who are rounding up tramps to serve as firefighters, they take refuge in a mansion. The owner has gone on vacation and the servants are away, so Hardy pretends to be the owner and offers to rent the house to an English couple. Hardy gets Laurel to pose as the maid. Unfortunately, the owner returns and tells the would-be renters that he owns the house; Laurel and Hardy then flee again and are caught by the rangers and forced to fight wildfires.

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill.

Stable hands Stan and Ollie are tending a thoroughbred named "Blue Boy." But when they overhear two men talking about a $5000 reward for the return of the stolen "Blue Boy," they miss the part about it being the painting, not the horse. They take the horse to the owner's house to claim the reward. The owner instructs them to put "Blue Boy" on the piano and Ollie explains, "these millionaires are peculiar."

The Laurel & Hardy Moving Co. have a challenging job on their hands (and backs): hauling a player piano up a monumental flight of stairs to Prof. von Schwarzenhoffen's house. Their task is complicated by a sassy nursemaid and, unbeknownst to them, the impatient Prof. von Schwarzenhoffen himself. But the biggest problem is the force of gravity, which repeatedly pulls the piano back down to the bottom of the stairs.