Stephane, the wife of a prominent magistrate, shoots and kills a man in her home and claims he tried to rape her. While investigating her case, her lawyer becomes hopelessly enmeshed in a web of lies and subterfuges concerning her past.

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

It is only a few years into the future, but the face of France has changed drastically, due to its takeover by a moralistic, hypocritical and totalitarian regime. Women with children who want to divorce their husbands are not allowed to do so, all political parties have been outlawed, smoking is illegal and everyone must work. After a spat with her boyfriend, Carole (Laure Marsac) hails a taxi, not realizing that she has done so without any of the money or identification papers she needs. Her driver (Bruno Cremer) attempts to help her, but a variety of mishaps bring her to the attention of the police, who proceed to arrest her on made-up charges and a phoney HIV-positive result on tests given at the time of arrest.

Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...

TV adaptation of Jules Verne's posthumously published novel.

Heavy traffic in the summer. Bad luck for Juliet, Albert, Jaeger and Arthur who does not reach their destination. Involved in a terrible accident that will change their lives forever.

Jeanne looks back on her love for Jean. The melancholic young man wouldn't accept the world as it was, always wishing to depart. She doesn't know that he's dead.

Alexandre, a man in his 40s living in Lyon with his wife and children, discovers that the priest who abused him decades ago continues to work with children. He joins forces with others victims of the priest, to bring justice and “lift the burden of silence” about what they endured.

Alexandre, a man in his 40s living in Lyon with his wife and children, discovers that the priest who abused him decades ago continues to work with children. He joins forces with others victims of the priest, to bring justice and “lift the burden of silence” about what they endured.

A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.

Two men, part tramp, part pilgrim, are on their way to Santiago de Compostela in Spain. On their way they meet a whole assortment of people—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

Paris, Kingdom of France, August 18, 1572. To avoid the outbreak of a religious war, the Catholic princess Marguerite de Valois, sister of the feeble King Charles IX, marries the Huguenot King Henry III of Navarre.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.