In an attempt to win back the public's interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.

Under a tin-gray sky, in a hollowed out corner of northern China, a stranger arrives in town bearing magical soap—but smelling it will cost you. Nearby, a pair of unenthused cops try cracking a seemingly simple case. Or not. And you can forget religious solace; the only monk around is not what he seems.

A middle-aged gay love set in a small town in the Northeast, where middle-aged residents find their identity through love, and how marginalized individuals in society save themselves through love.

The hotel room as a place where everyone is a stranger. A place that is yours for just a moment. A temporarily intimate space entered by a maid in order to clean it while, if possible, not leaving a trace of her visit. Each episode of Stranger is set in such a place, and each is captured in one long take. Weaving together a series of episodic stories — some humorous and absurd, some poignant and mysterious — that all unfold within a seemingly confined space, Stranger explores the idea of home while being away from it, and sheds light on the distinctive yet universal experiences of isolation and loneliness.