Franz, a young man, works in a dye factory in Prague. One day he notices a rash-like eczema, growing on his hands. All attempts to treat it with ointment fail, and the rash gradually spreads over his body. After complaining to the management he is laid off work; his relationship with his fiancee is affected. In an attempt to get compensation from his former employers he looks to insurance firm Assicurazion Generali, where he encounters an enigmatic clerk called Kafka.

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.

Reverend Granger is assigned as the Vicar of the rural parish of Dibley, but she is not quite what the villagers expected.

After an awkward break-up some months ago, Jonathan and Carla — now married to the producer of a Crimewatch-like television show — unite to investigate a serial killer who wears a Davy Crockett hat and kills people named after flowers.