The live of the daimyo Date Masamune

1997 V-Cinema sequel.

1997 V-Cinema film.

The rise to power of the famed Lady Kasuga no Tsubone, who established the 'Ooku' (the women's quarters at Edo castle) and acted as nursemaid to Tokugawa Iemitsu, the future 3rd Shogun is chronicled in this historical drama. Intrigue and suspicion abound as the two brothers Iemitsu and Tadanaga vie for the post of Shogun, while behind the scenes the remnants of the defeated Toyotomi faction, lead by Lord Ishida Mitsunari attempt to discredit the Tokugawa Shogunate and regain their former position as rulers of the nation. The hidden battles between Shogun Hidetada's wife and mistresses of the 'Ooku' come to light as they force the two brothers into a life or death struggle.

Amon is a boy who can control the wind. Branik, ruler of the Empire of the Golden Snake, wants Amon's power to complete the ultimate weapon and sends his troops to capture the boy. Amon, using his talents, manages to runs away with Maria, one of the People of the Sea. Together, they try to stop the Empire of the Golden Snake from destroying and conquering everything.

A story of Japanese writer Kafu Nagai (1879-1959), a man about sixty with a huge reputation of seducer who falls madly in love for a young geisha named Oyuki. Meticulous and smartly dressed, Nagai patiently wrote in his diary his thoughts during many years. A melancholy reflection on the passage of time and a brilliant interpretive exercise.

A mother and daughter are stranded in small, isolated cabin, and are starving to death. In order to survive, they plan to entice men that happen to stray to their cabin with sex, and kill them. All goes well until a local cop shows up and, then, an old relation.

Reportage writer Kenzo has made an interview appointment with Morishima, the mastermind behind the political and business world. On that day, Morishima is killed and a 200 million yen diamond is stolen. The diamond was brought by jeweler Kuhara to sell to Morishima. A woman named Maki who was present and disappeared immediately after the incident is suspicious. However, the site is a completely closed room. Kenzo's older brother, Matsushita, the chief of the investigation section, also shook his head...

12th installment of the 16-film franchise.

Sen Rikyu is a ceremonial tea master who advises warlord Hideyoshi in sixteenth-century feudal Japan. His daughter, the beautiful Lady Ogin, has an unrequited love for Lord Ukon, who has angered Hideyoshi by becoming a Christian convert. Ogin's father Rikyu also displeases Hideyoshi by opposing the warlord's plan to invade China and Korea. When the animalistic Hideyoshi is rejected by Ogin, he threatens her and her father with arrest and worse.

Based on the comic book by Kenshi Hirokane

Samon Kamiyama, a yoriki of the Minami-machi magistrate infiltrates the Denzū-machi prison disguised as Mushuku Sahēji. Samon is mistaken for a snitch and about to be beaten up when he was saved by the quick thinking of a ferryman Sanji. The infiltration is the plan of Samon and chief elder Abe Isenokami, who has asked Samon to obtain smuggling evidence against shipping whole retailers Kawachiya Senemon and his son Sennosuke.

Momojiro and Jonathan go to Kochi on a ferry. On the ferry a singer called Yuka dropped her sheet music into the ocean. Momojiro helps her by diving in to collect the sheets for her and ends up falling in love.

When a screenwriter named KAORU dies suddenly, she leaves behind a tangle of relations who are all pulled together for the final act in her life: performing her funeral. The chief mourner is her ex-husband, Jun. A failed actor, he drifts around Tokyo as a driver for callgirls. He has to clean himself up to lead the ceremony down in the small village in Okayama that KAORU came from. There, he meets a host of eccentric characters, TV people, and KAORU ’s daughter, all of whom have complicated feelings for the recently departed. As can be guessed, the funeral becomes chaotic as people quarrel and fight but the fact that KAORU was loved is not in doubt as nostalgia, bitterness, and affection for the woman come out from each mourner in comic confrontations.