Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a voluminous Oral History of the World, a record of 20,000 conversations he's overheard. Mitchell is fascinated with this Harvard grad and writes a 1942 piece about him, "Professor Seagull," bringing Gould some celebrity and an invitation to join the Greenwich Village Ravens, a poetry club he's often crashed. Gould's touchy, querulous personality and his frequent dropping in on Mitchell for hours of chat lead to a breakup, but the two Joes stay in touch until Gould's death and Mitchell's unveiling of the secret.

When he discovers his girlfriend having sex with his brother, Frankie decides to head to Manhattan, leaving his Bronx pizza shop forever for the fame and fortune of show business. But before stardom, he needs a place to stay. Looking in the personals, he notices GWM. And thinking it "Guy with Money," he heads to the Village and the apartment of gay actor Warren, who's in desperate need of this month's rent.

CW Briggs is a veteran insurance investigator, with many successes. Betty Ann Fitzgerald is a new employee in the company he works for, with the task of reorganizing the office. They don't like each other - or at least that's what they think. During a night out with the rest of the office employees, they go to watch Voltan, a magician who secretly hypnotizes both of them.

A man whose brain becomes magnetized unintentionally destroys every tape in his friend's video store. In order to satisfy the store's most loyal renter, an aging woman with signs of dementia, the two men set out to remake the lost films.

On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.

An African-American Mafia hit man who models himself after the samurai of ancient Japan finds himself targeted for death by the mob.

Psychiatrist Sam Foster has a new patient, Henry Letham, who claims to be suicidal. In trying to diagnose him, Sam visits Henry's prior therapist and also finds Henry's mother -- even though Henry has said that he murdered both of his parents. As reality starts to contradict fact, Sam spirals into an unstable mental state. Then he finds a clue as to how and when Henry may try to kill himself, and races to try to stop him.