A Japanese woman is raped by her boyfriend day in day out.

Follow the exploits of motorcycle racer turned super hero Takuya Yamashiro, as he slings and swings, battling the evil Iron Cross Army along the way.

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Poor Yoko knows she is getting played and used by a playboy, but she loves him with all her heart and soul.

This film focuses on Okatsu; the adopted daughter of a master swordsman. She is a master with a sword herself and her talents far overshadow that of her brother, and real child of the man who adopted her. Her brother unfortunately has a gambling habit, and it plunges the family into trouble when he loses a lot of money in a crooked dice game. After releasing he is unable to pay the debt he owes; the blame is shouldered by the father, who is killed, leading Okatsu on a path of revenge.

An old man dies of heartbreak when a cruel landlord is about to repossess his land. The old man haunts the landlord from the grave. Since the man died in debt, his wife and daughter are indentured servants and are forced to work in the landlord's factory.

A man is inspired to build a hospital after his mother falls ill and becomes a host to swindle money out of women.

With a Kansai syndicate vying for Tokyo, one man reunites with his roguish half-brother in the midst of negotiations, when all hell breaks loose.

Kogarashi Monjiro is a lone samurai who agrees to take responsibility for a murder that his friend committed so that he can stay with his dying mother, with the expectation that his friend will confess and get him pardoned once she dies. Monjiro is sentenced to an island for prisoners. When he discovers that his friend's mother has died over a year ago, Monjiro seeks to escape with a group of prisoners in order to get his revenge.

A 1970 entertainment action masterpiece directed by Teruo Ishii. A companion piece to another Ishii-directed film from 1970, also starring Watase, Yoshida and Sato called PRISONERS' BACK LIST.

Exciting fights between the police and a crime syndicate over the secret of poison gas.

Tokyo hoodlums travel to Osaka and enter into rivalry with the local gangsters.

The local yakuza gangs dominating the port of Yokohama do not take well the invasion of their territory by a daring biker gang, led by a girl in black leather outfit and cowboy hat - reminiscent of the earlier war victors. Old and new grudges lead the two girl gangs to clash in several fights. However, when one of the leaders dies, the girls end up by uniting against the male gangsters that had been using them as puppets - and it all ends in a great finale mixed battle by the seashore.

Rika is released from girls detention school and then winds up at a lounge bar where she finds her other classmates working. This lounge bar is run by Junko Miyazono.

After helping a pregnant girl escape from their reform school and facing the resulting punishment, a clique of delinquent girls eventually reunites a year later in Tokyo to face different challenges in the form of yakuza and… street vendors.

Reiko Oshida stars as a young wannabe gangster tough girl, just released from reform school. She tracks down one of her classmates fathers, who runs an auto repair shop that the local Yakuza are trying to force out of business and take over, and starts working for him. At the same time a recently released from prison, and now ill Yakuza is trying to make a new life for himself and his girl, a friend of Reiko's, who also just graduated from reform school. A fateful car crash brings the two on a collision course with each other and the brutal Yakuza clan, which can only end bloody vengeance.

In the 1970s, the Japanese youth emancipation also found its way into the yakuza (crime) societies. A Girl Boss may have a choice between bikes, and between boyfriends. But she has to defend her choices the hard way, as her triumph and power over the girls' gang is questioned by her female rivals, and the all powerful Yakuza Boss. She inspires loyalty to her girls, and to men to the extent of many of them literally giving their lives for her - in a world of knife and gun fighting, bike and car chasing, and violent death.

A man aspires to be a big boss but falls in love with a beautiful woman boss.

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.