During World War One, in a small rural French village far away from the front, a gamekeeper and his wife take in children displaced by the war.

A slice of life of a group of young working class friends in a Northern French village coming to the end of their school years and embarking upon adult life. The film follows the choices and decisions made for their futures.

Une journée de fête catholique dans une bourgade rurale à Auzelles, région natale du cinéaste, dans le Massif Central.

Impressive sound design, non-linear editing, great ‘expressionistic’ locations and b&w cinematography, this is an experimental piece for Pialat, a psychological/gothic thriller of sorts...

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

Une voiture roule à vive allure dans la région de la Dombes, située au nord de Lyon, célèbre pour ses étangs et ses élevages de chevaux. Une femme semble fuir un homme qui la traque mais la nature, bien loin de l'accueillir, démultiplie son angoisse panique.

1991 film by Maurice Pialat

An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.

Satan tempts Father Dossignan, who is trying to save the soul of a young girl who killed one of her lovers.

Handed over to foster care by his mother—who's unwilling to give up permanent custody—the now-adolescent François understands that nothing in life is permanent, and his increasingly erratic actions reflect this knowledge.

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.