King and prison escapee join forces. Hsu Feng & Carter Wong Play Yuan Loyalists who thwart an attack from the Mongol General and Mantis Master Chang Yi.

Northeastern China is infested with bandits. Hsiao Kai (Paul Chang Chung), a wandering knight, captures a white horse from thieves. His skilful handling of the horse earns his admiration of fellow traveler Chu Ching Hsu (Wong Chung Shun). They arrive at Lo Lung Kow, where the villagers hunt for a living and are constantly terrorized by bandits. Grocer Ting Tze Pao (Ngai Ping Ngo) returns from his negotiations with the bandits with bad news. They intend to collect furs from the villagers at a fixed price. Village leader Mu (Yuen Sam and his daughter Tsui Ying (Pat ting Hung) run a tavern. She wonders how the white horse belonging to a Sinkiang youth named Sha Yi Ti (Man Ling) is now in the possession of Hsiao Kai.

Besides martial arts, Bruce Lee's contribution to Chinese society was instilling a strong sense of nationalism. After his death, anti-Japanese films found new breathe especially in Taiwan. Based on a King Hu’s script, Heroes Of The Underground tapped into Lee's nationalistic fervor and the Confucian ethic of country above family and starred the popular Ching Li as a World War II, Chinese secret agent planted into the Japanese Headquarters at Changsha. Tears flow in the name of country pride.

The romance of a squire's daughter and a poor but refined scholar is thwarted when a loutish bandit is mistaken for the scholar by a confused servant and is given the idea that the daughter's hand in marriage is his for the asking. Rich in cross-dressing, mistaken identities, and reversals of gender roles, the film playfully subverts traditional Confucian values.

This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.

A roving ghost spirit controlled by Ying Yang the Evil paints her face in the guise of a concubine. Her spirit can only be released by a ghostbusting monk who comes to her rescue.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.

Golden Sparrow is a fighter-for-hire who has been contracted by the local government to retrieve the governor's kidnapped son. Holding him is a group of rebels who are demanding that their leader be released from prison in return for the captured son. After a brief encounter with the gang at a local restaurant, Golden Sparrow is joined by an inebriated wanderer Drunken Cat who aids her in her mission.

A traveling scholar, intent on translating a Buddhist sutra that is said to have power over the creatures of the afterlife. He slowly finds himself entangled in a mysterious plot involving witchcraft, demons, and a battle to preserve his own soul from the attacks of the supernatural underworld.

A righteous husband-and-wife swordfighting duo struggle to protect China from the machinations of Japanese pirates and corrupt officials.

Gu Sheng-zhai, an artist in his early 30s, still lives with his mother, but he is suddenly shaken by the arrival of Yang Hui-zhen, a mysterious princess on the run. Yang brings Gu into her circle of protectors, including a nameless monk whose spiritual guidance transforms him into a valiant fighter.

In Ming Dynasty China, the retiring abbot of a Buddhist monastery invites two dignitaries to help him choose a successor, not suspecting that both of them have hired help to steal a priceless parchment kept in the temple.