「thank u, next」is the upcoming fifth studio album by American singer Ariana Grande, set to be released by Republic Records on February 8 , 2019. Its title track was released as the album's lead single on November 3, 2018, with the second single "7 Rings" releasing on January 18, 2019. The album is a follow-up to her fourth studio album, Sweetener (2018).

《thank u, next》三单《7 rings》

"No Tears Left to Cry" is a song recorded by American singer Ariana Grande. Written by Grande, Savan Kotecha and its producers Max Martin and Ilya Salmanzadeh, it was released by Republic Records on April 20, 2018, as the lead single from Grande's upcoming fourth studio album.

《美女与野兽》是一个创作于18世纪的古老法国童话，原作者是Gabrielle-Suzanne Barbot de Villeneuve。故事讲述了一个被施了咒语的王子变成了一个面目可怕的野兽，后来有一个美丽的女孩爱上了野兽，从而解除了魔法。这个故事早在1946年就曾被法 国导演拍成过电影，1991年的迪士尼动画版本则更让它更加家喻户晓。
据悉，比尔·康顿（Bill Condon）为迪士尼导演的这部《美女与野兽》还将从1994首演的迪士尼同名百老汇音乐剧中取材。后者根据动画片改编，剧中由艾伦·曼肯（Alan Menken）和蒂姆·赖斯（Tim Rice）创作的多首歌曲，都是动画片里所没有的。
现已确定两位男主角，大表哥Dan Stevens扮演野兽，而“巴德将军”Luke Evans扮演大反派Gaston加斯顿，此前艾玛·沃特森已经确认扮演美女贝尔公主。

Ariana Grande doesn’t focus on her anymore and is ready to focus on Christmas days and make her fans really happy with the release of an unexpected EP called “Christmas & Chill“.
The 6-piece project was premeired on Spotify on Thursday December 17th, as she announced and teased a lot with severeal snippets via Snapchat, including the anticipated and awaited new track “True Love“.
This EP serves as a prelude before the arrival of her next and awaited third studio album “Moonlight“, which is expected to be released sometime next year.
This becomes the second Christmas EP by Ariana and follow-up to her “Christmas Kisses”, released in 2013.

My Everything is the upcoming second studio album by American recording artist Ariana Grande, scheduled to be released on August 25, 2014 by Republic Records.

Ariana Grande is used to being in the spotlight, but over time, she’s gotten savvy at playing it. The pop star’s seventh studio album <I>eternal sunshine</I>—a lightly conceptual riff on the head-spinning 2004 film starring Jim Carrey, of whom Grande has said she’s a lifelong fan—feels like a mind game itself, blurring the lines between real-life references and theatrical bits. It arrives in the middle of a whirlwind tabloid-packed stretch—Grande married, divorced, and scored a starring role in Hollywood’s big-screen adaptation of <I>Wicked</I>—and she knows fans have questions. What’s true? What’s real? Ari gives a lot of things on this album, but answers aren’t one of them, a cunning reminder of how little transparency celebrities actually owe us.

In an interview with Zane Lowe, Grande leans into the project’s thematic murkiness. “true story,” she says, is “an untrue story based on all untrue events,” and when asked about her own experience with the Saturn return, an astrology milestone referenced in the album’s only interlude, she shrugs. “It was chill. Nothing changed. Pretty uneventful.” She says she finds freedom in art because “you can really pull from anywhere,” and she describes the film as another “lovely costume” to wear. Her answers have flickers of defiance that feel like power. Whoever said albums had to be tidy, or true? “It doesn’t have to be an everlasting love story,” she tells Lowe. “Love is complicated. Showcasing both sides of it is what I tried to [do].”

If there’s one thing these tracks make clear, it’s that she’s still Ari on the mic—she’s still hitting those high highs (“eternal sunshine”); still finding release on the dance floor (“yes, and?”); still sifting gold out of ’90s R&B (“the boy is mine”), a sequel to the leaked 2023 track “fantasize.” Her favorite? “imperfect for you,” a tribute to the friends who make up her inner circle. “We’re so lucky to have loved ones who are accepting and real with us no matter what,” she says. “We live in a time where everything is boiled down, but that song demands room for nuance, humanness, and complexity.”

Ariana Grande is used to being in the spotlight, but over time, she’s gotten savvy at playing it. The pop star’s seventh studio album <I>eternal sunshine</I>—a lightly conceptual riff on the head-spinning 2004 film starring Jim Carrey, of whom Grande has said she’s a lifelong fan—feels like a mind game itself, blurring the lines between real-life references and theatrical bits. It arrives in the middle of a whirlwind tabloid-packed stretch—Grande married, divorced, and scored a starring role in Hollywood’s big-screen adaptation of <I>Wicked</I>—and she knows fans have questions. What’s true? What’s real? Ari gives a lot of things on this album, but answers aren’t one of them, a cunning reminder of how little transparency celebrities actually owe us.

In an interview with Zane Lowe, Grande leans into the project’s thematic murkiness. “true story,” she says, is “an untrue story based on all untrue events,” and when asked about her own experience with the Saturn return, an astrology milestone referenced in the album’s only interlude, she shrugs. “It was chill. Nothing changed. Pretty uneventful.” She says she finds freedom in art because “you can really pull from anywhere,” and she describes the film as another “lovely costume” to wear. Her answers have flickers of defiance that feel like power. Whoever said albums had to be tidy, or true? “It doesn’t have to be an everlasting love story,” she tells Lowe. “Love is complicated. Showcasing both sides of it is what I tried to [do].”

If there’s one thing these tracks make clear, it’s that she’s still Ari on the mic—she’s still hitting those high highs (“eternal sunshine”); still finding release on the dance floor (“yes, and?”); still sifting gold out of ’90s R&B (“the boy is mine”), a sequel to the leaked 2023 track “fantasize.” Her favorite? “imperfect for you,” a tribute to the friends who make up her inner circle. “We’re so lucky to have loved ones who are accepting and real with us no matter what,” she says. “We live in a time where everything is boiled down, but that song demands room for nuance, humanness, and complexity.”