2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.

Having casually overheard a confusing phone conversation between two women, Alberto manages to get in touch with one of the callers, Claudia, a painter. The two become lovers and things are spiced up by Claudia's ambiguous sexual nature and by the presence of her former lover, Pietro. Alberto discovers a pistol in Claudia's handbag and this leads to a further revelation: she's dominated by her stepmother Greta, who forced her into a clandestine lesbian relationship; of which Claudia is ashamed and wants to end - at all costs. Alberto, now a slave to love, runs Greta over. But Claudia denies urging him to murder...

In 1880 Rome, a patriarch closes the family bakery. His ambitious daughter-in-law manipulates her brothers-in-law to prevent their father's remarriage, securing her inheritance.

It is 1654, in the South of France. When horsemen follow a runaway slave into the convent where he's taken sanctuary and kill both the fugitive and the Mother Superior, they little realise that one of the novices is the spirited daughter of retired musketeer D'Artagnan.