Approached by a friend about a matchmaking arrangement, Su-san goes to Hama-chan's home seeking help. Hama-chan is away on a business trip, but Michiko entertains Su-san late into the night. When he gets drunk and ends up spending the night, Hama-chan, begins to question his boss's relationship with Michiko.

In Tokyo, a Chinese exchange student gets involved in rigged pachinko schemes and meets a Chinese girl raised in Japan. When they're caught cheating by a former yakuza now running a pachinko parlor, a tense triangle forms as money, power, and personal ties collide.

Densuke Hamazaki is an office worker at Suzuki Construction and gets transferred to the main Tokyo office. After settling in to his surrounding along with his wife Eri, Densuke befriends an elderly man named Ichinosuke Suzuki. Ichinosuke is a lonely and old man who learns to enjoy life again through his friendship with Densuke. Meanwhile, Densuke is completely unaware that Ichinosuke is the boss of his construction company. The two men become friends through their shared passion for fishing.

Seven raccoons with supernatural powers sneak into a freight train, disguise themselves as humans, and head to Tokyo with the intention to create a band. They become superstars "Checkers" but their true identity will be revealed very soon.

Young writer Tamako, who is wrongfully accused of killing the head yakuza, must find a way out of trouble.

The adventures and tribulations of a group of students during the years following the II World War.

October, 1987. American filmmaker Steven Okazaki is making a documentary about laureated japanese author Kenzaburo Oe, but all goes wrong when he finds out that due to "mistranslated facts" the subject of his film has only one day to spare before leaving the country. During their brief interview, Mr. Kenzaburo affirms that the new generation of japanese artists are "spoiled, un-original and too influenced by Western culture." so, having a japanese film crew rented for four more days, Steven decides to roam the streets of Tokyo filming the lives of the japanese emergent underdog artists, trying to make some sense of Mr. Oe's statement.

1980s TV doc following left-field new wave icon Jun Togawa on a tour of New York subcultures you'd never see on American TV.

Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.

A shady music mogul brings together two wannabe stars—punk rock rebel Kan and new-wave crooner Shingo—and transforms them into the Stardust Brothers, a girl-friendly, silver-jumpsuited, synth-pop sensation. Along with their #1 fan, who herself dreams of a music career, the duo rockets to stardom.

A sendup of the stereotypical Japanese family: dad is a salaryman jerk, unable to relate to anyone; mom is a hopeless housewife; the older son is a moderate academic success; but the younger son is a rebellious goof-off for whom a tutor must be hired. The tutor, played by the prototypical bad boy actor Matsuda Yusaku, proceeds to blow the entire family apart.