Homeless lads Teddy and Benny befriend a rich boy, heir to his grandfather's massive fortune. His uncle mistakes all of them for his nephews and, plotting to steal the inheritance for himself, abducts Benny. Teddy teams up with his friends and an assassin to pull off a rescue mission.

A gang of criminals terrorizes Hong Kong with two killer robots, one of which is modelled on the gang's female thug, Maria. When the robot gets damaged during a mission, an inventor working for the police captures and reprograms her to develop an independent personality.

《中国武侠电影人物志》是国内第一部系统记录武侠电影人物的电视纪录片，共50集。本片以“口述历史”的方式展现了半个世纪以来，中国武侠电影的发展历程和演变轨迹。数不尽的武侠电影经典，道不尽的武侠影人沧桑。专题片由央视电影频道历经四年倾情打造，将武侠电影创作历程中，对中国武侠电影发展做出重要贡献的主创访谈、片场真实记录和电影影像资料相结合，真实再现昔日武侠电影创作的客观风貌。中国武侠电影博大精深的文化精神，在回顾与追忆中得以淋漓尽致地呈现。
《武侠电影人物志50》情深义重 元奎
《武侠电影人物志49》电影梦想家 陈德森
《武侠电影人物志48》功夫之王 李连杰
《武侠电影人物志47》武舞神魂 胡金铨
《武侠电影人物志46》奇情大侠 楚原
《武侠电影人物志45》武侠巨匠 张彻
《武侠电影人物志44》江湖信步 李惠民
《武侠电影人物志43》侠义风云 李仁港
《武侠电影人物志42》无间行者 叶伟信
《武侠电影人物志41》侠之荣光 于荣光
《武侠电影人物志40》走进微观动作世界 江道海
《武侠电影人物志39》武侠元老 唐佳
《武侠电影人物志38》武侠导师 何梦华
《武侠电影人物志37》大器晚成 元华
《武侠电影人物志36》武侠隐者 元彬
《武侠电影人物志35》永远的中国龙 成龙
《武侠电影人物志34》最佳武指 元彪
《武侠电影人物志33》浪漫英雄 吴宇森
《武侠电影人物志32》洪金宝
《武侠电影人物志31》悟道存真 孙沙
《武侠电影人物志30》电影怪侠 何平
《武侠电影人物志29》儒侠 陈嘉上
《武侠电影人物志28》侠武情长 刘家荣
《武侠电影人物志27》忠义行者 熊欣欣
《武侠电影人物志26》非攻兼爱 张之亮
《武侠电影人物志25》马上英侠 麦丽丝
《武侠电影人物志24》义厚情长 刘家辉
《武侠电影人物志23》义出洪拳 刘家良
《武侠电影人物志22》电影追梦人 陈凯歌
《武侠电影人物志21》武侠泰斗 吴思远
《武侠电影人物志20》武侠前辈 李文化
《武侠电影人物志19》全能武者 徐小明
《武侠电影人物志18》武舞侠风 唐季礼
《武侠电影人物志17》标新立异 张子恩
《武侠电影人物志16》文武并举 陈木胜
《武侠电影人物志15》武侠前锋 张华勋
《武侠电影人物志14》功夫影帝 李小龙
《武侠电影人物志13》动作大师 袁和平
《武侠电影人物志12》武学人生 赵长军
《武侠电影人物志11》刘伟强
《武侠电影人物志10》领悟侠义 丁善玺
《武侠电影人物志9》浪漫情怀 冯小刚
《武侠电影人物志8》诗意武者 程小东
《武侠电影人物志7》江湖怪才 徐克
《武侠电影人物志6》剑侠 于承惠
《武侠电影人物志5》侠骨仁心 王晶
《武侠电影人物志4》动作哲学 董玮
《武侠电影人物志3》动作传奇 赵箭
《武侠电影人物志2》禅武合一 张鑫炎
《武侠电影人物志1》武舞神话

Two unlucky thieves break into a just murdered man's hotel room and steal his passport with a hidden microfilm wanted by a triad boss. Two ass-kicking women cops—one Chinese, one British—are on the case.

The police track down a notorious burglar in order to apprehend him. However, he is given a chance to make up for his ways by working with the police on a case involving stolen diamonds.

An assassin called Filthy Harry is hired by a shady figure and charged with killing the heroes. The men are framed twice for different robberies by King Kong's new girlfriend, nearly committed to a mental hospital by their devious boss, and forced to battle Filthy Harry's weaponry-laden robot while covered with time bombs.

Yam, Sunny and Ah Hing are buddies and all dismissed creating havoc in their jobs. The trio is employed by a noodle factory, which has a very poor labor relationship. The manager, supervisor and foreman are always picking on their subordinates. Finally the workers decide to take an united front to oppose their superiors.

In 1937 Shanghai, a soon-to-depart soldier meets a young woman under a bridge during a Japanese air raid. They vow to meet after the war ends, but they don't know each other's name or face. Ten years later, the young woman, a nightclub singer, takes in a naive girl fresh from the country. The country girl falls in love with the would-be song-writer upstairs who, unbeknownst to the singer, is none other than the soldier from the bridge.

While vacationing in Paris, King Kong is kidnapped by a British agent called James, who seeks to recover one of the stolen crown jewels, the Star of Fortune, supposedly at the request of the Queen of England. The jewel is hidden at the Hong Kong Police Headquarters and Kong will have to steal the jewel without his partner-in-crime, Detective Albert 'Baldy' Au, finding out. When James' devious intentions are revealed and Baldy and his wife, Supt. Nancy Ho, discover Kong's heist, Kong finds himself at a crossroad.

It Takes Two is a 1982 Hong Kong comedy film directed by Karl Maka and starring Dean Shek and Richard Ng.

A new documentary film revisits the golden age of kung fu stuntmen and action directors in Hong Kong during the 1960s-'80s, exploring their pain and struggles. The documentary is a tribute to kung fu stuntmen. “They risked their lives for stunts,” said kung fu choreographer Yuen Bin. In their heyday, these stuntmen and choreographers presented the best, most creative and most complicated kung fu fight sequences anywhere in the world, creating stunts that looked seemingly impossible.

The life of the epoch-making master of martial arts cinema, King Hu.

Shy and timid Hung is asked by his jailbird brother to look after his mistress and his unsuspecting wife. Chaos and many hilarious situations arise when Hung is caught between the two women.

One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

A House Is Not a Home is a TVB television series, premiered on 1 August 1977. It is a very successful classic series boasting the likes of stars Liza Wang, Simon Yam, Ha Yu and also veteran actors like Bak Man-biu, Tang Pik-wan and Lee Heung-kam. The show became a 1970s drama classic, well-known also for its theme song, "A House Is Not a Home"; 家變, which was composed and arranged by Joseph Koo, with lyrics by the late Wong Jim and sung by Roman Tam.

Former member of a triad, Sun seeks to emigrate to Canada. He decides to become a great chef of chinese cooking and follows the teaching master Au.

Twins, separated at birth, end up as a Hong Kong gangster and a New York concert pianist. When the pianist travels to Hong Kong for a concert, the two inevitably get mistaken for each other.

Developer Tsang Siu Chi and his agent have bought two of a group of four properties. Rival developer, Boss Hung has secured the other two properties. Both aim to buy all four so they can knock them down and build hotels.

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

The relationship between a middle-aged man and the elderly woman who has been the family's helper for sixty years.