For the poor, Edo is Hell on Earth, starving under the rule of Tanuma Okitsugi, corrupt councilor to the shogun. But the courageous vagabond called “Kageboshi” (Shadow Avenger), will fight for the common folk, robbing the rich so the people will have rice. Tanuma’s henchmen will hire an evil swordsman to pose as Kageboshi, starting a wave of murder, kidnapping and robbery, searching for two antique sword-guards that will reveal the hiding place of a fortune in buried gold. But who will claim the gold? The poor of Edo, or the conniving Tanuma? Only Kageboshi’s flashing sword, tearing through Tanuma’s bloodthirsty minions, can forestall his wicked schemes.

Japanese mystery film marking Yuka Mizuhara's film debut.

Based on the manga of the same name. Originally published in the Japanese magazine Weekly Playboy. It follows Ippei Yasuda, son of a prominent family, who is immensely gifted in nearly everything he does.

Rika, a manageress of a night club is about to be arrested on suspicion of smuggling. However, she escapes through the assistance rendered her by First Lieutenant Yokoyama of the Japanese Naval Commander's Office. After the end of war, Yokoyama plans to escape from riot-ridden Amoy and finally succeeds with the help of Rika to whom he gives a destroyer. Rika is actually the leader of a gang of pirates, and plans to rule the East China Sea by crushing Banryu, her rival.

It tells the story of a couple who fall into a trap set up by a sinister organization. One of them is a guy who is framed for the murder of his lover. The other is a woman pick-pocket who is entrapped by the organization's schemes involving their crimes. Fate places them together, and they start to investigate the prostitution ring run by the organization...

The story is about Tomoko and her relationships with three men.

One of Japanese folklore's most popular characters is brought to life on the silver screen in this terrific version of legendary Demon slaying Peach Boy.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.