Puts into practice a radical Godardian proposition: the screening of his Made in USA (1966) and 2 ou 3 choses que je sais d’elle (Two or Three Things I Know About Her, 1966) as a single work, with their reels and narratives intertwined. In 1967, having set aside the idea of adapting The Wild Palms, Godard proposed instead projecting his two very different most recent features, which he had shot back-to-back for separate producers, as an integrated work. As Richard Roud reported, what Godard wanted was to have them shown together, ‘first a reel of Made in USA, then a reel of Two or Three Things I Know About Her, then a reel of Made in USA, etc., just as Faulkner mixed two stories in The Wild Palms. That would be his adaptation of the novel.’

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Juliette is a young woman who just can't help lying. She lies to her sister, Sophie, to Sophie's fiancé Martin, and to all the men she attracts with her womanly charms. But when she falls for an older man, a 40-year old lawyer, her reputation as a liar precedes her and she cannot convince him that she really does love him…

Robert Hossein, Marina Vlady, Robert Le Beal. A brilliant "little" spy film. Hossein and Vlady play mysterious characters who meet up one night in a lonely cabin in the wilds of Normandy. They are both spies, but whom do they work for-the Allies or the Nazis.

1989 Italian drama film directed by Ettore Scola

A thief falls in love with a maid and goes on the run after stealing Leonardo da Vinci's "Mona Lisa."

Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess.

Two total strangers suspect each other of murdering their own wives. Based on Patricia Highsmith's 1954 novel The Blunderer.

After an American Navy base is annihilated by a secret weapon, Agent OSS 117 is sent to Japan to investigate the organization that's claiming responsibility, and threatening the US with another attack, if they don't pay.

Picked up by a beautiful motorist, jobless hitchhiker Pierre (Hossein) is subsequently romanced by the girl. Immediately thereafter, however, she dumps him, attempting to run him over as a final insult. Memorizing her license number, Pierre pursues the enigmatic motorist. Arriving at her home, Pierre is met by two young ladies (Marina Vlady and Odelle Versois), either one of whom might be the woman he's looking for.

Croatian anarchists collaborate with Hungarians to make a bid for the life of King Alexander of Yugoslavia.

Un documentaire en deux parties réalisé pour la télévision française sur Georges Perec, réalisé par son ancienne compagne Catherine Binet. Il présente un mélange d'images d'archives, de scènes de films de Perec et de lectures à la caméra d'extraits de son travail par divers acteurs et amis de l'auteur (Michael Lonsdale, Marina Vlady, Alain Cuny, Sami Frey, Edith Scob, Harry Mathews et d'autres ).

A forty-year-old employee marries a seemingly quiet girl who turns into a mantis after the wedding.

A look at 18th-century France, when the depravity of the authorities contributed to social oppression, and the uprisings flared up one after another.

Chris Marker’s portrait of Russian filmmaker Andrei Tarkovsky documents the director at work on his final film, The Sacrifice, during the last year of his life. Interweaving behind-the-scenes footage with excerpts from Tarkovsky’s earlier works, Marker crafts a moving reflection on the artist’s vision, methods, and enduring legacy.

Two convicts attempt to escape from prison in a violent tale of deception, survival, and moral ambiguity.

Brulard, a French civil engineer on assignment in a remote Swedish village, meets Ina, who has been raised in forested isolation by her haggish mother and believes herself to be a witch. He falls in love with her and tries to convert her to civilization; but in the meantime, his female boss, Kristina, has fallen in love with him, while the villagers turn against him for consorting with someone they believe is cursed by the Devil.

When a young man wants to marry a poor girl, her cousin envies her very much. She even makes everybody believe that the main character was in love with her. He escapes from many difficulties in order to find his beloved who also became trapped in a luxurious villa with some strange relatives. The people inside villa are vampires, they were called upyri in those days in Russia. They suck blood of anyone who comes to see them. The young man too much in love so he looses his head and goes directly to the nest of vampires.

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

This complex and puzzling French drama walks the fine wavering line between the fictional and the very real as it tells the tale of a strangely erotic event in the life of a little girl and the musings of a schizophrenic woman. Also involved is an enigmatic spouse who prepares a surprise for a burglar.