Catherine is left unmarried and pregnant when her mobster sweetheart is killed in this gangster comedy. With the help of another unmarried mother-to-be, Catherine goes looking for the stash of cash buried by her lover before his death. Soon other thugs and her suspicious neighbors are following their every move in an attempt to recover the lost loot...

Christopher Joett, sympathique mauvais garçon au grand cœur, porte la poisse à son entourage, ce qui lui a valu le surnom de «Lucky Jo». À sa sortie de prison, personne ne veut plus «monter de coups» avec lui. Seul, son ami Simon accepte de le recevoir. Ce dernier, reconverti en garagiste à Bougival, prête une Peugeot 404 à Jo pour qu'il aille revoir Mimi, son ancienne petite amie chanteuse dans un beuglant de Pigalle. Pendant que Jo fête ses retrouvailles avec sa belle, la malchance frappe de nouveau: des gangsters volent la 404 pour commettre un braquage et la police a aussitôt fait de retrouver le propriétaire du véhicule, le garagiste Simon…

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

1977 film directed by Guy Gilles

In a mysterious French castle dark meetings and apparitions happen, seasoned by nauseating erotic menages. The involvement frantically increases up to the amazing epilogue.

Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrades to prevent him from going to Madrid where he could be arrested.

At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.

Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction causes the man to experience moments from his past in a random order.