Following the Civil War, Confederate Captain Justice Cain has retired to a quiet life with his young son and black wife. However, the men of his old outfit, known as Cain's Cutthroats, have turned to lives of murder, torture and robbery. They attempt to convince Cain to ride with them once more. He refuses, and the Cutthroats murder his family. Swearing vengeance, Cain teams up with a colorful preacher/bounty hunter, and hunts down his family's killers one at a time.

Brought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this

Count Dracula and his wife capture beautiful young women and chain them in their dungeon, to be used when they need to satisfy their thirst for blood.

In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul Collier. Paul and a leader of the cyclists, J.J., knew each other years before, so when the gang comes upon the couple and, led by the menacing Bunny, beats up Paul and begins a sexual assault of Karen, J.J. tries to intervene: he suggests they hold cycle-riding contests, with the winner claiming Karen (he promises, sotto voce, to set her free if he wins). After the contests commence, Paul crawls away to look for help. He meets with a shrug from a cowardly sheriff's deputy; where can he turn?

Dr. Frankenstein's insane grandson attempts to create horrible monsters in modern day L.A.