A half English, half French screenwriter visits her parents on the Riviera after her father's heart surgery. Once there, she begins to connect with him in a way she never did before, as each member of the family tries to cope with his imminent death.

This fictionalized story, based on the family life of writer James Jones, is an emotional slice-of-life story. Jones is portrayed here as Bill Willis, a former war hero turned author who combats alcoholism and is starting to experience health problems. Living in France with his wife, daughter, and an adopted son, the family travels an unconventional road which casts them as outsiders to others. Preaching a sexual freedom, his daughter's sexual discovery begins at an early age and betrays her when the family moves to Hanover in America. Her overt sexuality clashes with the values of her teenage American peers and gives her a problematic reputation. Meanwhile, her brooding brother copes with his own interior pain regarding his past, only comfortable communicating within the domestic space.

A shy bank employee unexpectedly invites a young woman to a café, leading to a one-night stand. When he shares this with his disillusioned friend, the writer helps him navigate a dazzling social ascent.

Edouard Frenhofer es un artista famoso y muy respetado, que vive cómodamente en la campiña francesa. A la edad de 60 años, considera que su carrera como pintor ha terminado, porque no siente ninguna inspiración para crear. Pero le queda por terminar un cuadro que lleva parado más de 10 años, el retrato desnudo de su musa, su mujer Liz. El problema es que ya no siente ningún tipo de entusiasmo por su mujer. La solución la encontrará en Marianne, la novia de su protegido Nicolás, que posará para él.
Lejos de ser una mera versión acortada de 'La belle noiseuse' (1991), Rivette ofrece un nuevo montaje del mismo material con importantes diferencias de punto de vista. Aquí se trata más bien de la perspectiva de Marianne.

Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after a long time away. He begins to learn about the troupe's buried past and Kate's connection to it, while experiencing the magic of the circus.

Business executive Odile seeks a new, larger apartment. Her younger sister Camille, having completed her doctoral thesis in history, is a Paris tour guide. Simon is a regular on Camille's tours as he's attracted to her. However, Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.

Catherine, a young British prostitute living in Paris, decides to start her own "company" after learning the basics of big businesscom from her clients. She encounters both interest and setbacks in her search for investors.

The heir of a mysterious estate must unveil its secrets and discover its treasures before a scheming doctor and his seductive sister can steal what is rightfully his.

A rebellious student embarks on an affair with the mother of his best friend, leading to disastrous consequences.

It takes place in a chic milieu, where both the father and the son are in love with the au pair girl (but she sleeps with the dad). The young student is far from the post May 68 clichés and the movie walks a fine line off the beaten path. Philippe Lemaire and Emmanuelle Riva are ideally cast as the bourgeois parents who urge their offspring to attend the grandma's Christmas meal.

Since time immemorial, the simple-minded boisterous people of Malava, a small Polish town near the border of imperial Russia, have lived on horse-stealing, horse-trading and horse-smuggling. Life changes abruptly when a Russian garrison, commanded by Captain Stoloff, occupies the town and, in the name of the Czar, requisitions all the horses for the Russian-Japanese War. With no more horses to steal, Kifke cannot afford to marry Estusha and all the young men in the village are likely to be incorporated into the Russian army. This state of affairs cannot continue and Zavill will take care of things.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

1970 film by Henry Chapier

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?

The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that he's gay.

A playwright offers two actress friends the chance to appear in his new, unfinished play, which consists of only one female part.

A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artefacts for his father's slimy employer to earn money to help Jane.

A nebbish schoolteacher begs his smooth (and misogynistic) pal to teach him 'the knack' – how to score with women. Serendipitously, the men meet up with a new girl in town, as well as a friendly lunatic who can’t help but paint things white.

1970 film directed by Pierre Koralnik

The eccentric professor Collins lives completely secluded in his chaotic apartment. When the model Penny moves in next to him, he becomes fascinated by her. He drills holes in her walls and ceiling and peeps on her day and night. He loses himself in daydreams and delusions.