Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

An overview of brazilian spirituality and religions.

A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.

2001 film by Eduardo Coutinho

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.

Would have one of the masters of Brazilian cinema always made the same film? From an encounter with documentarian Eduardo Coutinho recorded in 2012 and a vast amount of archive footage, this film offers a general look at Coutinho's work and testifies how the filmmaker’s thinking still stand the test of time to this day and age.

Made from interviews with young Brazilian students by filmmaker Eduardo Coutinho before his death (in February 2014), the film seeks to understand how teenagers think, live and dream nowadays. The footage was edited by Coutinho’s longtime partner, film editor Jordana Berg, and the final cut is signed by João Moreira Salles.