Interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives and they will have to pursue their happiness and fight for their dignity in a dark and hostile word.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

Ariadna discovers that her grandfather has been searching for the remains of his father, who disappeared during the Civil War. Determined to help him, she travels to Burgos, where a mass grave is being excavated, and where he could be buried. During her stay there, she will learn the story of Antoni Benaiges, a young teacher from Tarragona who was her grandfather's teacher before the war. Through an innovative pedagogical method, Antoni inspired his students and made them a promise: to take them to see the sea.