THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not.
This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show.
But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it.
There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect.
Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm.
Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film.
There are English subtitles, but they are no brighter than the script.

Cecile is a decadent young girl who lives with her rich playboy father, Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life.

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

Listening in to a conversation between his doctor and parents, 10-year-old Oscar learns what nobody has the courage to tell him. He only has a few weeks to live. Furious, he refuses to speak to anyone except straight-talking Rose, the lady in pink he meets on the hospital stairs. As Christmas approaches, Rose uses her fantastical experiences as a professional wrestler, her imagination, wit and charm to allow Oscar to live life and love to the full, in the company of his friends Pop Corn, Einstein, Bacon and childhood sweetheart Peggy Blue. Written by American Film Market

In Paris, two cops are competing for the vacant job of chief of police, in the middle of the search for a gang of violent thieves. The movie is directed by Olivier Marchal, a former police officer who spent 12 years with the French police before creating this story, taken in part from real events of the 1980s.

Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.

A bisexual petty criminal named Bob encounters a married couple arguing in a bar. Bob breaks up the fight and proceeds to seduce first the wife and then the husband. Then Bob teaches the couple how to be burglars and they join him in his criminal exploits.

In a maternity hospital, young single mothers are accompanied by social worker Hélène Lambert, who tries to make them aware of their new responsibilities, while Dr. Baurain stresses the importance of their moral and sexual education. They come to the aid of several young women: one who would like to give up her child to a couple applying for adoption, another who, after the death of her first baby in dramatic circumstances, is expecting a second, and many others.

Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.