An Edo appointed official Baba must ensure the safe delivery of shogunate funds to Kyoto.

A comedy about a free-spirited man Shosuke, whose life is turned upside down when he is ordered to serve the clan lord.

With plenty of action, and a strong story about the growth and development of an expert swordsman, who just happens to be from an extremely privileged background.

1957 film by Kazuo Mori

Tired of everyday life, the 8th Shogun Yoshimune flees Edo Castle and asks Ooka Echizen to become his personal assistant. In a rice shop, Yoshimune meets a simple ronin Ohashi Kenshiro, and receives permission to stay at his house, but a mysterious corpse awaits him in the house... And then the second, third and fourth murders occur...

A beautiful girl who seeks revenge, disguises herself by dressing up in men's clothes, geisha, etc. A young swordsman helps her uncover the plot and take revenge.

About 1786 the doings of a demented lord results in many masterless samurai, including Iyemon (Kei Sato) who is used to luxury and cannot adjust to the hand-to-mouth conditions & piecework of umbrella making. Having hired ruffians to make him look like a superior swordsman, he arranges for himself the opportunity of a profitable marriage. He hires the half-blind masseur Takuetsu (Sawamura Sounosuke) to seduce or rape his wife (Kyoko Mikage), so that she can be divorced or killed for adultery. But the masseur takes pity & informs Oiwa of her husband's horrid plot. Assisted by the merchant's daughter he intends to marry, Iyemon disfigures his wife attempting to poison her so he can marry higher. There's a lovingly gruesome sequence as she combs blad patches into her hair, kneeling deformed at her mirror, weeping with bitterness. She eventually cuts her own throat, swearing revenge.

A young samurai learns that he is the illegitimate son of the Shogun. Hoping to reunite with his birth father, he travels to Edo to find Shogun Yoshimune.

As a child, Okin the one-armed one-eyed swordswoman was disfigured by Lord Daizen-dayu, who was after her family's most treasured possession, the famed Drenched Swallow sword. As an adult, she has become a skilled swordswoman and lives a carefree life with her adopted family. One day, Okin saves a girl from a group of yakuza, and in doing so, gets involved in a grand conspiracy involving religious leaders, government officials, the yakuza and Lord Daizen-dayu, the man who killed her father and mutilated her body...

It’s cross and double-cross in these further adventures of Ryuzen, the wayward priest played by Katsu Shintaro as he tries to help a woman who may be the heir to a fortune get what is rightfully hers. Matsuo Kayo, who first rose to international stardom as ‘the supreme ninja’ in “Shogun Assassin” gives an outstanding performance in this clever and exciting caper tale set in the samurai era. Ryuzen agrees to help her, but is he just in it for himself, and is she really who she claims to be? When they come up against Boss Tobei it’s a virtual free-for-all as everyone struggles to walk away with a fortune in gold!

A young, feisty woman named Osome searches for her true love in the midst of a family crisis.

The epic battles between the Heike and Genji (Taira and Minamoto clans) take centerstage as the defeated leader of the Genji, Minamoto Yoritomo resolves to end his clan's exile and avenge the brutal loss in December, 1159 as they had fought under the white banner of the Emperor, while the Taira fought under their red flags in a battle to the death. The fight only took one day, with the Genji suffering utter defeat which led to their exile. His father, Yoshitomo, took responsibility for the loss and rather than live in humiliation, he decides to commit suicide with all his sons following him. However, the bravest warrior among them, Yoritomo stands tall and declares that he will not kill himself, but rather will fight to restore the clan.

It's an extravaganza of entertainment as famous magistrate in disguise, Toyama no Kinshiro attempts to confront the elusive thief known as the "Long-Sleeve Burglar". Played to the hilt by Misora Hibari in a delightful performance highlighted by singing, dancing, and swordplay with a unique story within a story twist that starts to unfold in the city jail as a playwright is brought into custody and meets the famed Long-Sleeve Burglar himself. Misora Hibari is totally captivating in this gender bending role as the famed thief whose expoits can only be stopped by the great Kin-san himself!

A stage director who directs a “Mori no Ishimatsu” play time travels and becomes “Mori no Ishimatsu” himself.

Finding more freedom on the high seas than in war-torn Japan, the 'Bahansen' (Pirate ships) based on the Seto Inland Sea during the Warring Period (Sengoku-jidai)sailed to China, Korea, Luzon, and Siam under the Hachiman banner. A battle for supremacy of the seas begins when a strange old shipwreck survivor is brought to Sakai where he divulges a secret that can change the course of history.One of the most literate and well-written films from Toei, this is an exciting tale of swashbuckling samurai on the high seas!

A samurai warrior attempts to stop Kublai Khan's Mongol hordes from overrunning Japan in the 13th century.

Jidai-geki by Kiyoshi Saeki

Ronin Sasaki Kojiro pursues his ultimate goal of becoming a master swordsman. Along the way he encounters another great swordsman, Miyamoto Musashi.