The story of the end of a friendship between two teenage girls, told backwards over the course of nine months.

This early short from director Jane Campion concerns a group of teenage girls in the 1960s.

A woman haunted by her past, Detective Robin Griffin, investigates complex and unsettling cases.

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

A family drive in the countryside turns into a battle of wills between a young boy and his father and aunt.

Ms. Isabel Archer isn't afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father's will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

Following the gruesome murder of a young woman in her neighborhood, an English teacher living in New York City — as if to test the limits of her own safety —propels herself into an impossibly risky sexual liaison with a police detective.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.