Back to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

Phaedra is a poor sponge diver on the lovely Greek isle of Hydra. While diving, she discovers an ancient brass and gold statue of a boy riding a dolphin, which is said to have the magical power to grant wishes. Her shiftless boyfriend wants to sell it to an unscrupulous art collector, but Phaedra wants to give it to anthropologist Jim Calder, who would return it to the Greek government.

A young G.I. falls in love with a kept woman on a train to New York.

A tribute to Naples, this film presents six episodes: a clown exploited by a gangster, a pizza seller losing her husband’s ring, a child's funeral, a gambler beaten by a kid, a prostitute's unusual wedding, and a "wisdom seller" offering advice.

Fernando, owner of a large chain store, suffers from worrying dreams: he seems to successfully court saucy women, but just as he is about to win them over, a youngster comes on the scene and steals them from under his nose.

Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work.

A desperate woman, whose son is on trial for murder, blackmails the judge and kidnaps his wife.

During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

A Russian countess stows away in the stateroom of a married U.S. diplomat bound for New York.

A family wedding reignites the ancient feud between next-door neighbors and fishing buddies John and Max. Meanwhile, a sultry Italian divorcée opens a restaurant at the local bait shop, alarming the locals who worry she'll scare the fish away. But she's less interested in seafood than she is in cooking up a hot time with Max.

本片根据意大利著名导演帕索里尼制作的新闻电影片段整理修复，影片以新闻影像为素材，加入了电影拍摄画面和旁白诗歌，诠释了十九到二十世纪的大量西方历史事件，具有珍贵的政治和人文价值。

Eugene, a young nobleman, asks two penniless idlers to impersonate his noble relatives to help him marry Gemma, the daughter of an enriched cook.

Three tales of very different women using their sexuality as a means to getting what they want.

The inside story of the rise and fall of Harvey Weinstein reveals how, over decades, he acquired and protected his power even when scandal threatened to engulf him. Former colleagues and accusers detail the method and consequences of his alleged abuse, hoping for justice and also to inspire change.

An Italian woman faces challenges at JFK Airport when Customs confiscates the mortadella sausage she brought as a gift for her fiancé, leading to a humorous and frustrating ordeal.

A day at an Italian trial court, where a magistrate judges a full array of peculiar petty crimes and characters.

Sophia Loren plays a dual role, as both the sultry Queen of the Nile with a "man-a-night" appetite and a beautiful slave girl who takes her place and is wooed by a bodyguard who thinks she's the real monarch.

Roaming the vast jungles of Congo with his best friend, Bongo the gorilla, Antonio della Buffas, a mysterious man whom the natives call the "white monkey", is utterly unaware that he is the long-lost son of a wealthy explorer. Then, three opportunists manage to capture and bring the white savage to civilisation, bent on getting their hands on his immense fortune.