THE REVENGE OF THE TWO EXORCISTS (1975) is another rarity; this one from Lai Sheng Ying, a cinematographer turned director. Based on a Chinese folk tale, according to the article, all the stars are new faces and a portion of the film was shot in Japan.

A loose youth passes the time freely until he comes across a young, female broadcaster who works at a radio station.

Chao Ta-jung and Yuan-yuan met at the seashore by chance. Ta-jung was impressed with Yuan-yuan's compassion towards those who were less unfortunate even though she had given him a hard time. They soon fell in love and decided to get married but due to Yuan-yuan's heart problem, there is a possibility that she may not conceive.

The daughter of a wealthy man takes French lessons so she can go to France with her fiancée, but ends up falling for a poor man who studies civil engineering.

A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.

An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.

9th century China. Ten year old general’s daughter Nie Yinniang is abducted by a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised – a cousin who now leads the largest military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.