Taiwanese comedy. A large diamond named "The Light of Shanghai" is given as a gift to the boss of Shanghai Beach, a local gang, and it triggers a battle among the thief Luo Ping, the prostitute Su San, and others

Hung is a street-wise smart aleck and Mak is his dumb sidekick. They are partners, mostly in unlawful jobs. One night, the two are spotted by Zaza in the middle of a heist. Consequently, they go to jail. Hung hates Zaza for this. In prison they are befriended by old timer Hui. The three run afoul of boss Orca and try to avoid Orca by insulting chief warden Ko. They are brought before correction officer who is none other than Zaza. Hung hates Zaza more.

Yvonne is a divorced middle-aged Chinese immigrant who thinks her life is over, and she is doomed to spend the rest of her days as a slave to her large and eccentric family. Suddenly, romance enters her life and Yvonne gets a long deferred chance for true love. However, she falls for the last person a Chinese family would ever accept, Jose, a Mexican-American dentist. It doesnt matter what race or culture youre from, deep down inside we are the same. And from this lesson Yvonne and her family begin to love each other for who they are and to accept Jose into the family.

A brothel disguised as a teahouse is staffed with old ladies long past their prime. However, things begin to change and become chaotic when the owner takes in a young girl.

In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.

With her elder two sons being gay, a traditionally-minded mother fears her youngest son could be too, thereby losing her last chance to have any grandchildren. With help from a friend she takes in a female French foreign exchange student, who ends up teaching the family a lot about life, acceptance, and love.

Three flatmates share a luxury flat. A philandering hairdresser meets his match. A young stockbroker meets his boss's soon-to-be-ex-wife. A pregnant lady unsure over the identity of the baby's father.

A poor family struggles to cope with tragedy and mental illness in a fractured society.

Where is home? For a group of Chinese students studying and working in Tokyo, it might be the Nankokute restaurant whose manager has been in Japan for years without ever managing to obtain a residence permit. The cook left his family in China and hasn't yet managed to have them brought over to join him and one waiter's father is sick while the other's is a violent alcoholic. An engaging fresco of everyday life with touching moments and an authentic, natural atmosphere.

Focusing on Mark Lee Ping-bin, one of the most talented and prolific cinematographers in Asia, the movie details the itinerant lifestyle of a deeply observant and philosophical artist and the tolls that his profession takes on his family life.

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

A killer wears women's clothing and stalks women that wear white fish-net stockings

On a dark night, Xueming hits a pedestrian with his car and flees the scene. Desperate to escape his feelings of guilt, he decides to approach the dead man's wife, Mrs. Liang. He develops an ambiguous relationship with the widow, while a policeman tries to resolve the investigation that will change his life forever.

Just married Hong Kong couple Chen & Lily emigrate to England, soon to become parents to a little baby boy and generally struggle through life. Chen works long days in a restaurant, while Lily does the housekeeping, daydreaming of setting up their own business, much to Chen's chagrin. When Chen lets his colleague Fok seduce him down a path of mounting gambling debts, he is recruited as a drug courier for a shadowy Chinese triad. Suddenly he realizes that getting their own enterprise could be their only means of escape.

Ever the pair of do-gooding drifters, Embroidered Pillow and Chili Boy always come to the aid of Hong Kong's downtrodden and oppressed - even if it means traveling all the way to America! This time the two friends are off to San Francisco's Chinatown in search of a millionaire's missing daughter (Sylvia Chang, who also appears in Slaughter in San Francisco), who has vanished under shady circumstances. Typical Backalley Princess shtick ensues, including the duo's disastrous stint waiting tables in a Chinese restaurant and run-ins with the local street gangs. But just when things are looking hopeless, Sam and Polly find the lead they need, and the chase is on!

A popular singer named Ah Hui is approached by gangsters who want him to perform at their nightclub. When Ah Hui rejects, they set him up by making him believe he murdered an innocent man; Of course, Ah Hui falls for it. With nowhere to turn and the fear of being sent to jail, Ah Hui accepts help from the gangsters. In return he has to sign an exclusive singing contract with them. Little does Ah Hui know, they have other sleazy plans in store for him.

To help his sister with her debts, John goes to a pawnshop when robbers rush in. John draws suspicion from the police and only escapes from them with the help of Bunny, who is a kid running out from an orphanage. John and Bunny, therefore, become good friends.

Lucky Stars Go Places, also known as The Luckiest Stars, is a 1986 Hong Kong action comedy film directed by Eric Tsang. It is the fourth film in the Lucky Stars series. It was an attempt to combine the original Lucky Stars troupe with the similar action comedy ensemble from the Aces Go Places series.

Sent to rescue survivors from the site of a plane crash in the South Pacific during WWII, Captain Kelly and his elite squad of Australian commandos must keep tabs on a defecting Japanese official who could hold the secret to peace.

Unable to make it as a commercial success because he staunchly refuses to sell out, a struggling Hong Kong musician rediscovers his love of music and regains an interest in his life's meaning through his relationship with a dying girl.