A bittersweet comedy about a simple hick who arrives in the big city to seek his fortune, "The Crazy Bumpkins" is about Ah Niu, who leaves his native village to live with an uncle in Hong Kong, not realizing he is a crook. After taking on a hilarious series of illegal jobs with his uncle, he meets and falls for a single mother and decides to find some real work. However, bad luck and naivete soon conspire to keep him from true happiness.

Ah Niu, swindled of his fortune by cunning crooks, hits rock bottom. A fateful encounter with devious thugs reunites him with Uncle Chou, prompting their escape to the vibrant city of Singapore. Their journey is riddled with absurd mishaps, including a comical episode with a baby and a frantic pursuit by the relentless thugs. This final instalment of the series offers a colourful, wide-ranging tour of Singapore in the mid-1970s, brimming with slapstick humour and heartwarming moments.

Cheng Meng-chi (Liang Tian), celebrated for his cunning, embarks on a clever scheme to outwit his mischievous neighbour, Wu Tien-chuang (Wang Sha). Cheng’s ingenious trickery leads Wu and his mistress to believe that he possesses the extraordinary ability to turn chicken droppings into gold, resulting in comical confrontations and a string of stolen chickens. The narrative takes an entertaining twist as Cheng’s relationship with Crazy Ching (Chang Ying), the partner-in-crime of a gullible gold shop owner, transforms from playful neighbourly antics into an intense battle of wits, with Cheng consistently staying one step ahead of his adversary.

Boss Chai (Wang Sha) serves as the leader of a group of thieves and skilled pickpockets. One fateful night, his most prized possessions fall into the hands of his senior disciple, Hsiao Hsiang Kung (Ye Feng), a renowned master thief among thieves. The two embark on a series of escapades marked by intense rivalry, crafty betrayals, and occasional partnerships. Amid their adventures, Hsiao Hsiang Kung demonstrates that he is not just a thief but also a compassionate man, assisting the less fortunate and coming to the rescue of distressed damsels.

The plot is a trifle about an obnoxious restaurant delivery boy causing trouble with some local bad guys for the cook who secretly knows kung fu, eventually learning some techniques and finally, with the cook, confronting the bad guys.

Sha Yung (Wang Sha) and Shuang La (Lin Hui-huang), a sly duo with some kung fu skills, make their living through clever schemes. After accumulating a sum of money through less-than-honest means, they venture into the “consultancy” business, which proves to be a thriving enterprise. Their path crosses with Ah Ying (Yang Tsing-tsing), who disguises herself as a man. Upon learning that she is being pursued by her widowed stepmother, Hua (Lo Wan-yin), and Hua’s lover, who conspired to harm Ying’s father, Sha Yung and Shuang La extend their sympathy. Hua employs a professional assassin to attack Ying’s hideout . The two resourceful con-artists assist Yang to resist the assault. Eventually, they capture Hua and her partner in crime, setting the stage for a reckoning with justice.

The beloved king of Hong Kong comic book characters, Old Master Q, is back in live action again by popular demand. This hilarious sequel to Mr Funny-bone finds him, and his delightful sidekick "Big Potato", opening an Old-fashioned healing clinic - leading to a fun and fascinating clash (cultural and otherwise) when the old ways smack face first into ultra-modern Hong Kong. But, this being the great Mr Funny-bone, he triumphs in spite of himself and his large-cranium companion.

The sequel to John Lo Mar and Chang Yang's original film finds the naive village immigrant, Ah Niu (Yeh Feng) leaving jail to work and live with his crooked Uncle Chou (Wang Sha) again. But now, his girlfriend Ah Hua (Ai Ti) has become the wife of an abusive husband. As with the bittersweet original, Ah Niu -- with his kind heart but simple mind -- gets caught in various rackets and silly situations.

Following the lives of three downtrodden but resilient outcasts, John Lo Mar's gritty social drama paints a sense of realism rarely seen in Hon Kong movies. Li Ching - the best actress of her era - play Ah Chiao is a girl from a rural village stranded in the city, who befriends a kind-hearted transient and a retired actor. They are poor, but they are happy. Although her fortune changes for the better when she becomes a singer, she ultimately learns money can't buy happiness.

In 1974, John Lo Mar co-directed The Crazy Bumpkins, a new variation on the time-tested, beloved Cantonese comedy "Country Bumpkin" tradition. That proved such a success that a sequel, Return Of The Crazy Bumpkins, soon appeared. Now, the third time's the charm, as John Lo Mar gets to both write and direct the third slapstick-filled installment, once again starring Yeh Feng and Wang Sha as the hapless and hilarious yokel Ah Niu and his crafty city-slicker Uncle Chou.

Complex plots? This director didn't want them. Expensive, famous stars? Didn't need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as "the Kid," a monk whose education in the aptly named "Crazy Lo Han Fist" finds him battling a cruel bandit's son and befriending an abused prostitute. From then on, it's one fight after another in another John Lo Mar martial arts marvel.

It's Meng Yuan-wen (star of The Master Strikes) versus Kuan Feng in this wild and wacky wushu saga of a priceless pole with a spectacular secret. A master martial artist's silly disciple struggles to save it from an evil white slaver, the slaver's duplicitous wife, and even his own bone-headed, but greedy, companion. Hsu Hsia choreographs the abundant action, as he had for both Five Superfighters and Drunken Master. The result is both sublime (for its kung-fu) and engagingly ridiculous.

The story about royal intrigue with the ingenious Lord Liu, whose intelligence was envied by the Emperor himself.

A movie on the life of the renowned Bruce Lee, especially his relationship with his mistress.