The rise and fall of gang lord Joe Sante. A crime boss appears before a Senate subcommittee. A flashbacks tell his story.

A nightclub operator, her sister, a beautician and two other women rob a payroll.

In 1957, director Harold Daniels was hired by producer Michael A. Ripps to oversee BAYOU, a cheaply made, overly melodramatic tale of swamp life. The low budget film starred a pre-MISSION IMPOSSIBLE Peter Graves, Corman regular Jonathan Haze, and the effortlessly bizarre Timothy Carey. But despite this eclectic cast, BAYOU was a major flop at the box office. So Ripps recut the film, adding an off-camera rape scene and a new, bloody conclusion to its climatic fight. Of even greater importance was Ripp's new title: POOR WHITE TRASH.

A troubled sheriff, a failure at everything in his life, tries to redeem himself by extraditing a popular gunfighter from Mexico to stand trial for murder.

When a crooked sheriff murders his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.

A former Union Army officer plans to sell out to Anchor Ranch and move east with his fiancée, but the low price offered by Anchor's crippled owner and the outfit's bullying tactics make him reconsider. When one of his hands is murdered he decides to stay and fight, utilizing his war experience. Not all is well at Anchor with the owner's wife carrying on with his brother who also has a Mexican woman in town.