A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.

The story of John Henry Faulk, a radio/TV personality of the 1950s, who was blacklisted during the McCarthy era. Faulk sued the organization that was behind the blacklisting, and the resultant trial, and Faulk's victory, helped to put an end to the blacklisting period.

A dabbler-in-crime and his assistant hire an ex-police reporter to recover some stolen papers.

This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.